So, $40,000 well spent? What started with a biting full-page ad in the New York Times has now turned into a discussion. And, Steve Stoute's open-letter strategy may even generate some change in the way the Recording Academy selects winners (maybe). Here's a statement (or some would say, non-statement) shared just hours ago by NARAS, aka the Recording Academy.
“The voices of artists and our creative community are at the heart of the missions of the Recording Academy and indeed the music industry itself. Expanding constructive and positive ways to continue to actively incorporate generational and artistic diversity in the Academy's development and good work serves those important missions. The participation of new and culturally diverse voices has and continues to be a goal which benefits our members, the creative community, and music fans everywhere.
“To that end, we have come together in a collaborative manner to discuss how the Recording Academy can continue to evolve in an ever-changing cultural environment. We invite others who share this agenda to join us in these discussions."
“The voices of artists and our creative community are at the heart of the missions of the Recording Academy and indeed the music industry itself. Expanding constructive and positive ways to continue to actively incorporate generational and artistic diversity in the Academy's development and good work serves those important missions. The participation of new and culturally diverse voices has and continues to be a goal which benefits our members, the creative community, and music fans everywhere.
“To that end, we have come together in a collaborative manner to discuss how the Recording Academy can continue to evolve in an ever-changing cultural environment. We invite others who share this agenda to join us in these discussions."
