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Richard Tee

A highly regarded R&B and funk session keyboardist, who worked on hundreds of sessions by every major name, He led his own recordings and also worked with studio ensembles like Stuff and the Gadd Gang. A top rate session player, from the mid '60s through the early '90s, when you heard a new tune on the radio with a particularly soulful piano, Rhodes, or B-3 part, he probably played it. In the recording industry he was royalty, a first call musician sought out by top producers. This gifted pianist, composer and arranger was born in Brooklyn, New York on November 24, 1943. He started playing piano at the age of seven, began performing in high school, and attended the Julliard School of Music. In 1965, Tee became a Motown session musician and one of New York's busiest studio session musicians. Soon after, he became an accompanist for Aretha Franklin and Roberta Flack. Tee joined Encyclopedia of Soul in 1974. The group, which was led by Gordon Edwards, was comprised of many of Tee's fellow studio musicians. The band continued to develop and eventually, in 1976, became the highly regarded outfit known as Stuff. Meanwhile, Tee's reputation as master pianist kept him in demand in both the studio and on the live concert circuit. He has been credited as a sideman on over 400 album recordings with such music luminaries as Barbra Streisand, Paul Simon, Eric Clapton, Grover Washington Jr. and Peter Gabriel. In 1983, Stuff disbanded and Tee quickly joined the Gadd Gang, led by Steve Gadd. The band was tremendously successful in Japan. Between 1979 and 1989, he also released four solo albums. They include: "Strokin" (1979), "Natural Ingredients" (1980), "Bottom Line" (1982) and "Inside You" (1989). He also spent a year on tour with Paul Simon in 1990. Richard Tee passed away on July 21, 1993 in the Bronx at the age of 49. His fifth and final recording as leader, "Real Time", showcases his immense talent and features a number of seasoned session players, including the late guitarist Eric Gale, longtime associate Steve Gadd on drums and Will Lee on bass, this is a fine album by a performer who had more influence on fellow musicians than most realize.

Source: James Nadal

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Liner Notes

Hank Crawford: Help Me Make It Through The Night

Read "Hank Crawford: Help Me Make It Through The Night" reviewed by Arnaldo DeSouteiro


One of the first artists signed by Creed Taylor for CTI's subsidiary Kudu label, Hank Crawford suffered violent criticism during the period (1971-1978) he recorded  for the label, being accused of making mellow and commercial albums. On the other hand, Hank achieved a new level of popularity during his CTI/Kudu years. Some of the eight albums he cut for the label sold over 100,000 copies with almost no promotion. And his Kudu debut, Help Me Make It Through The Night, ...

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Liner Notes

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Read "Ron Carter: Anything Goes" reviewed by Arnaldo DeSouteiro


Ronald Levin Carter (born Ferndale, Michigan, on May 4, 1937) needs no introduction. Let's just say that he is the bassist's bassist. On Ron's hands, the bass and the man become the same entity, the same person. Played by Ron Carter, the acoustic bass sounds like... Ron Carter! That's why he is one of the three top bassists in the music history. However, if Ron needs no introduction, his Anything Goes album does. Recorded on June & July, ...

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Education

Music Education Monday: Electronic music production tips, plus a keyboard workshop with Richard Tee

Music Education Monday: Electronic music production tips, plus a keyboard workshop with Richard Tee

Source: St. Louis Jazz Notes by Dean Minderman

This week for “Music Education Monday," we've got some new info on electronic music production techniques, and a classic video workshop with a top session keyboardist: Ableton, makers of the popular Ableton Live software used for electronic music production, has put online a good-sized chunk of the new book Making Music: Creative Strategies for Electronic Music Producers, which purports to offer “a collection of solutions to common roadblocks in the creative process, with a specific emphasis on solving musical problems, ...

Jon Gilutin
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