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David Virelles
In 2001, he left for Canada as a protégé of Canadian musician Jane Bunnett, with whom he recorded several albums (two of them Grammy nominated), toured and collaborated with on a number of projects.
While in Canada, David graduated from the music program at Humber College. He studied privately with pianist Barry Harris and has also studied composition with the influential composer Henry Threadgill, which had a profound impact in Virelles’ artistry.
Over the years he has performed and/or recorded with: Steve Coleman and Five Elements, Henry Threadgill, Dewey Redman, Sam Rivers, Hermeto Pascoal, José Luis Quintana “Changuito”, Stanley Cowell, Rudresh Mahantappa, Horacio “El Negro” Hernández, Mark Turner, Paul Motian, Ben Street, Chris Potter, Ravi Coltrane, Jeff Ballard, Miguel Zenón, Wadada Leo Smith, among others.
In 2003 he became the first recipient of the Oscar Peterson prize, presented by Peterson personally. His debut album, Motion, was released in 2007 on the label Justin Time, after winning the Grand Prix de Jazz Award at the Montréal Jazz Festival that year.
Virelles’ current group is also named Continuum, featuring bassist Ben Street, legendary drummer Andrew Cyrille and percussionist Román Díaz, who continue to develop his artistic concepts. His anticipated album under the same name was released on October 23rd, 2012 by New York based jazz label Pi Recordings.
The album is an exploration of both notated and spontaneous composition with each track delving into different aspects of ritual practices that still thrive in Virelles’ homeland. Each track on Continuum is about a different myth or symbol related to belief systems found in Afro-Cuban folkloric traditions. David Virelles also worked closely with Cuban painter and sculpture Alberto Lescay, who created a series of twenty paintings that are inspired by the music of Continuum and some of which are featured on the record.
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Eric McPherson: Double Bass Quartet - Live

by Pierre Giroux
Drummer Eric McPherson has long been recognized as a musician who combines rhythmic ingenuity and structural awareness in any project he undertakes. With Double Bass Quartet, recorded before a quietly appreciative New York audience, McPherson has assembled an unconventional line-up of Cuban pianist David Virelles along with bassists John Hébert and Ben Street, that challenges and redefines the traditional quartet format. The ensemble's two-bass configuration immediately invites comparisons to the more exploratory aspects of jazz history, yet this is no ...
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by Vic Albani
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Continue ReadingHenry Threadgill: The Other One

by Giuseppe Segala
Giunto sulla soglia delle ottanta primavere, Henry Threadgill non lascia sbiadire la propria splendida vitalità creativa. Lo ha fatto quest'anno sia con la pubblicazione dell'imperdibile autobiografiaEasily Slip into Another World, che con una nuova realizzazione discografica, The Other One. Pure questa imperdibile, si colloca tra i lavori che lo hanno visto impegnato esclusivamente come compositore e direttore dell'ensemble, non in qualità di strumentista e solista, sulla traccia dei precedenti Old Locks and Irregular Verbs, del 2016, e Double ...
Continue ReadingJohnathan Blake: Passage

by Dave Linn
The drummer Johnathan Blake was born in Philadelphia in 1976. His father was the esteemed jazz violinist and educator John Blake Jr. who played in many diverse settings, (most notably Archie Shepp and McCoy Tyner), before releasing seven albums under his name. He died in 2014. Blake (the son) began studying music at a young age, later attending William Paterson University studying with Rufus Reid and Steve Wilson. He eventually received a master's in composition at Rutgers University where he ...
Continue ReadingHenry Threadgill: The Other One

by John Ephland
Listening to Henry Threadgill's music, the bobbing and weaving doesn't maintain a continuity but can jump from one strand to another, one scene to another, as in a dream. It is tonal and not, just as dreams are, perhaps, rhapsodic or unkempt, the story or plot being as tangible, fungible as a summer breeze. Much is made of Threadgill's chamber-music esthetic. And rightly so. It is so chamber music precise it must all be premeditated, right?" asked the ...
Continue ReadingHenry Threadgill Ensemble: The Other One

by Troy Dostert
Now that Henry Threadgill has begun receiving the accolades he has long deserved--the Pulitzer Prize he won in 2016 for In for a Penny, In for a Pound (Pi Recordings, 2015) being just the most prominent example--it is impressive to find him still relentlessly stretching himself as a performer and composer. Since his first forays into the jazz avant-garde in the 1970s, the maverick multi-instrumentalist has always made music that challenges listeners in exciting ways, but it is his uncanny ...
Continue ReadingDavid Virelles, Flora Carbo, Transatlantic Five & Anthropology Band

by Maurice Hogue
Highlights of a very packed show: pianist David Virelles and trio (Ben Street bass & Eric McPherson drums); Australian saxophonist Flora Carbo; England's Anthropology Band; pianist Russ Lossing with NYC's King Vulture; the powerful German-American quintet, Transatlantic Five (Ken Vandermark sax, Nate Wooley trumpet, Christopher Dell vibes, Christian Ramond bass & Klaus Kugel drums), and a whole lot more, plus a peek at the catalogue of European free jazz drumming icon, Sven Åke Johannson.. Roll tape!!! Playlist Sam ...
Continue ReadingFour New Releases From ECM Records: Vijay Iyer Sextet, Tim Berne's Snakeoil, Gary Peacock Trio, and David Virelles

Source:
Universal Music Enterprises
August 25 Vijay Iyer Sextet Far From Over Vijay Iyer: piano, fender rhodes; Graham Haynes: cornet, flugelhorn, electronics Steve Lehman: alto saxophone; Mark Shim: tenor saxophone; Stephan Crump: double bass Tyshawn Sorey: drums Keyboardist-composer Vijay Iyer’s energized sequence of ECM releases has garnered copious international praise. Yet his fifth for the label since 2014—Far From Over, featuring his dynamically commanding sextet—finds Iyer reaching a new peak, furthering an artistry that led The Guardian to call him “one of ...
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David Virelles Wins the Louis Applebaum Composers Award

Source:
All About Jazz
Composer and pianist David Virelles has won the Louis Applebaum Composers Award. This year's $10, 000 award recognizes excellence in a body of work by an emerging artist in the field of jazz composition. Born and raised in Santiago de Cuba, to a musical family, David Virelles started to play the piano at the age of 7 and began composing at age 13. Classically trained in one of Cuba's prestigious music schools, Virelles developed an interest in jazz listening to ...
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“This is my jazz artist of the year. He’s another amazing Cuban pianist and mixes old rumba mystique with free jazz." —Gilles Peterson Jazz artist of the year
"This young Cuban pianist’s new album, “Continuum” (Pi Recordings), moves backward, forward and sideways through history. Intuitive and original, it’s equally of the American experimental jazz tradition, Afro-Cuban religious culture and modern nonjazz composition. It’s got nerve and soul and memory." —Ben Ratliff, New York Times, no.1 Album of 2012
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Music
Cinco y Cuatro
From: Double Bass QuartetBy David Virelles
Lei Do Indigenato, 1914
From: RecognitionBy David Virelles