Pedro Molina

Filipe Freitas - JazzTrail (US)

 “A well-designed, artfully executed sophomore album (...) with an organic and carefully balanced inner logic”.

“Molina is a musician to follow”. 

Frankie Pfeiffer - Paris Move (FR/UK)

'A formidable step forward, an ascent involving enormous risk and which allows him to touch the brightest stars.

‘Pedro belongs to this category of composers whose work calls for both patience and attentive listening’. 

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Filipe Freitas - JazzTrail (US)

 “A well-designed, artfully executed sophomore album (...) with an organic and carefully balanced inner logic”.

“Molina is a musician to follow”. 

Frankie Pfeiffer - Paris Move (FR/UK)

'A formidable step forward, an ascent involving enormous risk and which allows him to touch the brightest stars.

‘Pedro belongs to this category of composers whose work calls for both patience and attentive listening’. 

Jazz In Family (IT)

'We perceive a mature collective work, in which each musician, actively participates in the construction of the sound story without ever losing balance'.

Glenn Astarita — All About Jazz
"Molina invites listeners to get lost with him in the music, as if he is saying, 'Let us wander and see what we discover.' This sense of adventure and curiosity makes À Procura a strong debut from this talented artist."

Eray Aytimur — Jazz Dergisi
"I hope that the young team, which launched the album at the opening of the festival, will continue to travel together for many more years with their energy and synergy."

António Branco — Jazz.pt
"À Procura is made up of elegant compositions with refined melodic and harmonic sensibilities. It definitively places Pedro Molina on the map and calls for us to closely follow his next steps."

Felix Amador — Jazz ese ruido
"The defining character of the album is that of a musician who has found his own voice and who, as a composer, succeeds in bringing to the forefront and highlighting an instrument that is so rarely in the spotlight: the double bass. In addition, he knows how to give space to his quartet to improvise and express themselves, whether in the more rhythmic pieces (A salto de mata), the freer and more dissonant moments (Calma), or the more lyrical passages (Não Há Nada a Fazer?)."

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