Home » Jazz Musicians » Curtis Amy

Curtis Amy

Coming out of the Texas Tenor tradition of honkers, Curtis Amy was of the same generation as Booker Ervin, David Fathead Newman, James Clay and Wilton Felder, but his time in the jazz spotlight was brief. Amy had a beautiful sound and a style that was both brawny and lyrical. The major influences on Amy's style were the tenor saxophonists Gene Ammons and Sonny Stitt. Although he had a long and successful career in his transplanted home of Los Angeles, much of it was spent doing high profile studio work and working with his wife, the extraordinary vocalist Merry Clayton.

Born in 1929, Amy had taken up the clarinet when he was a child, and in 1946 enrolled at Wiley College, in Texas, to continue his studies. He dropped out, and then worked as a postman before joining the US Army in 1947.

He took up the tenor saxophone while in the Army. Afterwards Amy resumed his studies and at 19 he was awarded a scholarship to Kentucky State College. He achieved his bachelor's degree, and then taught music in a high school in Tennessee.

In 1955 he moved to Los Angeles, where he put together a quintet with the trombonist Melba Liston. He went on to join the rhythm and blues group led by the pianist Amos Milburn and led a variety of groups of his own, using such outstanding local jazz musicians as Carmell Jones, Roy Ayers, Victor Feldman and Kenny Barron.

In 1960 Dick Bock, the head of Pacific Records, gave Amy a contract and, by 1962, his band was making television appearances. He also began to teach music privately, an occupation that was to sustain him over the lean years ahead.

During his years with Pacific Jazz (1960-63), he recorded six superb albums that revealed an artist who constantly challenged himself as an improviser and as a composer. After “The Blues Message,” and “Meetin’ Here,” two soulful collaborations with organist Paul Bryant, he moved into more textured hard bop surroundings, fronting sextets with varied instrumentation. He and Frank Butler co-led “Groovin’ Blue,” which features Carmell Jones and Bobby Hutcherson. “Way Down” includes Roy Ayers, Marcus Belgrave, Victor Feldman and valve trombonist Roy Brewster among others. “Tippin’ On Through,” was recorded live at the Lighthouse with Ayers and Brewster among others.

But his "soul" jazz was fashionable throughout the Sixties. He recorded and appeared with Les McCann and toured and recorded with Ray Charles for three years. He made his first album with the Doors, “The Soft Parade,” in 1969 and recorded with the band until 1983. He appeared on Carole King's huge 1971 album “Tapestry,” and backed his wife, the singer Merry Clayton on her 1994 album “Miracles.” Clayton also sang on Amy's last album under his own name, “Peace For Love,” in 1994.

Read more

Tags

Album Review
Extended Analysis
Album Review
Read more articles

Photos

Album Discography

Recordings: As Leader | As Sideperson

Mosaic Select 7

Mosaic Records
2005

buy

Mosaic Select: Curtis...

Mosaic Records
2004

buy

Mosaic Select

Prestige
2003

buy

Mustang

Prestige
1966

buy

Katanga!

Prestige
1963

buy

Way Down

Prestige
1962

buy

Similar

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.