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Arve Henriksen

Born in 1968, Arve Henriksen studied at the Trondheim Conservatory from 1987-1991, and has worked as a freelance musician since 1989.

He has worked with many musicians familiar to ECM listeners, including Jon Balke (with whose Magnetic North Orchestra he has played extensively), Anders Jormin, Edward Vesala, Jon Christensen, Marilyn Mazur, Audun Kleive, Nils Petter Molvær, Misha Alperin, Arkady Shilkloper, Arild Andersen, Stian Carstensen, Dhafer Youssef, Hope Sanduval, the Cikada String Quartet, The Source and more. He has played in a wide spectre of contexts, ranging from working with koto player Satsuki Odamura, to the rock band Motorpsycho via numerous free improvising groups with Ernst Reisiger, Sten Sandell, Peter Friis-Nilsen, Terje Isungset, Marc Ducret ,Karl Seglem et cetera. Today he is working with Supersilent, Christian Wallumrød Ensemble and Trygve Seim Ensemble.

He has composed music (commission) to Bale Jazz, Vossa Jazz, "My own private furry" (dance performance) and to "FRED" (theatre performance). He was «artist in residence» at Moers Jazzfestival 2006 and he has been a part of the European Jazz Launch project 2004-2006.

Arve says: "An interest in sound-making was there from the beginning of my work with the trumpet. I have spent many hours on developing a warm sound, for instance, but not only that. In my opinion, the trumpet has vast potential for tone and sound variations that we still have not heard. At one point, I think it was in 1988, Nils Petter Molvær lent me a cassette of shakuhachi flute playing. Then things changed."

Arve Henriksen began collecting recordings of Japanese music, with koto, biwa, shakuhachi and other instruments: "I let the music 'ring' and develop in my head. I was astonished by the sound of this flute..." The shakuhachi's roots in the tradition of Zen Buddhism fascinated the trumpeter, as did its "meditative and minimalistic expressive quality. "This has made me work with tone and sound making in a new direction.”

But his interest doesn’t stop with this. He has been inspired by all sorts of folk music, also the Norwegian. He is now interested to work with more contemporary and composed music. He has also spent time on electronics and different treatments on the trumpet. And during the last years has also been focusing on his singing.

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10
Album Review

Arve Henriksen: The Touch of Time

Read "The Touch of Time" reviewed by Scott Gudell


Nordic trumpeter Arve Henriksen has played jazz, metal, folk, eclectic world music--with a nod to Japanese flute--and more. That caused at least one DJ to tell Henriksen “you are the musical chameleon." He will politely acknowledge that statement but has consistently returned to his chosen ground zero of ambient jazz dominated by subtle improvisation. When Henriksen started playing in the '80s, he often collaborated with other musicians based, like him, in Norway. Since he began recording at the turn of ...

12
Liner Notes

Arve Henriksen: Solidification

Read "Arve Henriksen: Solidification" reviewed by John Kelman


Constellations and the Something of Discovery Music as a chosen profession may suggest occupying the minds of its makers far beyond the 9-to-5 hours of your average job, but for some it goes further still. Transcending mere preoccupation, trumpeter Arve Henriksen seems to eat, drink, sleep and dream music, 24/7, 365 days a year. “I was sitting in my car recently, driving from Oslo to Gothenburg," Henriksen relates, “and I just started to sing and sing and sing. And I ...

4
Album Review

Ruben Machtelinckx: A Short Story

Read "A Short Story" reviewed by Mark Sullivan


In retrospect the meeting of Belgian guitarist & composer Ruben Machtelinckx and Norwegian trumpeter Arve Henriksen seems inevitable. They are both masters of delicacy and texture, as well as having distinctive and unusual sounds on their respective instruments. Machtelinckx composed most of the tunes, but these duets cast both players as equal contributors. It is a sound like chamber music, with no heroic solos. “Lessness" opens the album with an introspective air, acoustic guitar and Henriksen's distinctive ...

9
Album Review

Jakob Bro: Uma Elmo

Read "Uma Elmo" reviewed by Mark Sullivan


After a break of a few years, Danish guitarist & composer Jakob Bro returns to ECM Records with a new trio. Bay Of Rainbows (ECM Records, 2018) was a live recording documenting his trio with double bassist Thomas Morgan and drummer Joey Baron, while Returnings (ECM Records, 2018) was a quartet reuniting Bro with Morgan and drummer Jon Christensen (who had played on his ECM debut) plus trumpeter Palle Mikkelborg. The sound here almost splits the difference; Bro is joined ...

1
Album Review

Jakob Bro, Arve Henriksen, Jorge Rossy: Uma Elmo

Read "Uma Elmo" reviewed by Mario Calvitti


Giunto al quinto album da titolare per la casa discografica tedesca dopo il suo esordio nel 2015 (ma un'altra decina di dischi li aveva incisi per altre etichette nel decennio precedente), il chitarrista danese Jakob Bro rinnova i musicisti del suo trio rinunciando al contrabbasso, finora sempre affidato a Thomas Morgan, per dialogare con un secondo solista, il trombettista norvegese Arve Henriksen. Alla batteria siede invece lo spagnolo Jorge Rossy al posto di Joey Baron (che a sua volta aveva ...

11
Album Review

J. Peter Schwalm / Arve Henriksen: Neuzeit

Read "Neuzeit" reviewed by Dan McClenaghan


Sometimes making music is more than assembling and coordinating sounds that result (hopefully) in pleasing results. Neuzeit, a collaboration between German electro-acoustic composer J. Peter Schwalm and Norwegian trumpeter Arve Henriksen moves in that direction. The word “neuzeit" is generally taken to mean the “modern era" that began with the rise of Western Civilization in the sixteenth century. But Schwalm's “new time" seems to take that definition on a more literal level. That new time is now, deep ...

5
Album Review

Arve Henriksen: The Timeless Nowhere

Read "The Timeless Nowhere" reviewed by John Eyles


Released as a limited-edition four-LP set, including the music on two CDs--a total of forty-two tracks, running for over one-hundred-and-fifty-six minutes--Arve Henriksen's The Timeless Nowhere mainly comprises new recordings and unreleased material dating from 2007 to 2019. (Only the live recordings from the 2017 Punkt festival have previously been available, by streaming or download.) Not a compilation of past releases, it serves well as an overview of the trumpeter's work and explorations. Each of the four albums has its own ...

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Book / Magazine

Burning Ambulance #6 Out Now

Burning Ambulance #6 Out Now

Source: Philip Freeman

The latest issue of Burning Ambulance, an independently published journal of the arts, is available now. This issue includes: a cover story on Arve Henriksen by Phil Freeman a profile of Ivo Perelman by Clifford Allen an interview with Swiss sound artist/composer Reto Mäder by Phil Freeman an interview with Dutch grindcore/jazz sax-drums duo Dead Neanderthals by MacDara Conroy an interview with French black metal duo Spektr by Leonard Pierce an interview with Japanese musician/artist Yoshiko Ohara by Phil Freeman ...

151

Performance / Tour

Arve Henriksen on Rare US Tour in June

Arve Henriksen on Rare US Tour in June

Source: All About Jazz

May 5th marked the release of Cartography, the first album by Arve Henriksen for ECM under his own name despite his having appeared on many albums as a sideman since 1996. On the album, a shifting cast of characters, with Jan Bang (live sampling and album co-producer) at the center, provides a series of soundscapes, an ambient-experimental map of moods, for the uniquely liquid, singing trumpet lines of Arve Henriksen to scale and explore. Arve Henriksen and Jan Bang are ...

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Music

Recordings: As Leader | As Sideperson

The Touch of Time

ECM Records
2024

buy

A Short Story

Aspen Edities
2022

buy

Uma Elmo

ECM Records
2021

buy

Opaque Lights

Fluidian Music
2021

buy

Neuzeit

RareNoiseRecords
2020

buy

The Timeless Nowhere

Rune Grammofon
2019

buy

Touch of Time

From: The Touch of Time
By Arve Henriksen

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