Home » Jazz Articles » Live Review » Maria Muldaur, Marcia Ball, Tracy Nelson and Del Ray at ...

4

Maria Muldaur, Marcia Ball, Tracy Nelson and Del Ray at the Musical Instrument Museum

By

View read count
Maria Muldaur, Marcia Ball, Tracy Nelson and Del Ray
Musical Instrument Museum
"Saluting the Pioneers of Women Who Rock"
Phoenix, Arizona
October 16, 2013

Four women musicians performed a joyous tribute to Sister Rosetta Tharpe and Memphis Minnie, black pioneers in gospel and early blues styles that became the roots of rock 'n' roll. The 22-song concert format was a soul-satisfying mix of gospel, blues, boogie-woogie and swing.

"Saluting the Pioneers" was the theme of this first of five concerts related to a new museum exhibit, "Women Who Rock." The content and concept for the concert was credited to Maria Muldaur, who enlisted Marcia Ball, Tracy Nelson and Del Ray to join her to explore a musical mixture from 1930s to the present, enhanced by changing big-screen photos of the two pioneers.

Although many of the songs may have been unfamiliar to most listeners, each was entertaining and often amazing. Muldaur had sly fun with the double-entendre lyrics of Minnie's "Won't You Be My Chauffeur," and romped through "Black Rat Swing" and "That's All."

Ball combined her saucy vocal style and rollicking keyboard sound on "Keep Your Big Mouth Closed" and "I Want a Tall, Skinny Papa," then laid down phenomenal boogie-woogie moves on "Shout the Boogie."

The powerhouse voice of Nelson appeared to take the audience by surprise, since earlier in the show she only had harmonized on trio pieces. The incredible force of her style was revealed when she delivered the Koko Taylor hit "Whatever I Am You Made Me," then "Ain't Nothin' in Ramblin'" and a stunning rendition of "I Will Be Free Some Day."

Another audience surprise may have been Ray, a Seattle-based blues and jazz singer-guitarist, who garnered early appreciative applause from the audience of 300. She had launched the evening with a solo rendition of the life-story-song she wrote about Minnie. To start the second set, she talked about gospel singer Tharpe, an innovative guitarist credited with inventing both the "windmill" style of guitar-playing (long predating The Who's Pete Townshend) and the duck-walk adopted by Chuck Berry (ditto). She became gospel music's first crossover artist and its first great recording star, later being referred to as "the original soul sister," cited as an early influence on Little Richard, Elvis Presley and Jerry Lee Lewis.

When Muldaur, Ball and Nelson combined to harmonize, Ray propelled the energy with extraordinary guitar riffs on the gospel charts "Up Above My Head," "Didn't It Rain" and "The Lonesome Road." The most apt representation of the "Women Who Rock" theme had to be "Shout, Sister, Shout." And that's exactly what they did all evening long, in exuberant melodic style.

Not incidentally, this captivating show was staged by four vibrant "women of a certain age": Muldaur is 70, Nelson is 68, Ball is 64 and Ray is 53. The rhythm section was Ball's touring ensemble of Chris Burns on electronic keyboard, baby grand and B3 organ, guitarist-vocalist Mike Schermer, tenor saxophonist Thad Scott and drummer-vocalist Damien Llanes, ably abetted by Phoenix-based electric bassist Al Ortiz (in place of Don Bennett).

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Jazz article: Downtown Tacoma Blues And Jazz Festival 2025
Jazz article: Bark Culture At Solar Myth
Jazz article: Hingetown Jazz Festival 2025

Popular

Read Take Five with Pianist Irving Flores
Read SFJAZZ Spring Concerts
Read Jazz em Agosto 2025
Read Bob Schlesinger at Dazzle
Read Sunday Best: A Netflix Documentary
Read Vivian Buczek at Ladies' Jazz Festival

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.