Home » Jazz Articles » Album Review » Jax Jazz Collective: Lotus Blossom: The Music of Billy Strayhorn
Jax Jazz Collective: Lotus Blossom: The Music of Billy Strayhorn
Now the Jax Jazz Collective, under the leadership of pianist Joshua Bowlus, offers up Strayhorn in a small group outing with Lotus Blossom: The Music Of Billy Strayhorn.
The grouptwo saxophones, one trumpet and the rhythm sectionopens with an inspired take on "Take the 'A' Train." Bowlus' left hand lays down a solid, gathering-momentum, rolling- down-the tracks rhythm. A celebration of the tune ensuesexquisite ensemble work and brief, torrid solos inside the beautiful structure of the song before Bowlus' left hand brings the train back into the station.
"Ishfahan," from the Duke's wonderful but somewhat overlooked Far East Suite, features a smooth delivery some lovely three horn harmony, and "Raincheck" rolls with a percolating, saucy groove, as the Collective modernizes the classic Ellington/Strayhorn sound.
The group is every bit as adept at ballads as it is at burners. "A Flower is a Lovesome Thing" finds a moody and ruminative mood, a gray misty day with Bowlus supplying the raindrops to the delicate flower pedals.
Lotus Blossom: The Music of Billy Strayhorn, by the top notch Jax Jazz Collective, shines a bright light on new facets on the Billy Strayhorn songbook.
Track Listing
Take the 'A' Train' Isfahan; Raincheck; A Flower Is A Lovesome Thing; Johnny Come Lately; Upper Manhattan Medical Group; The Intimacy Of The Blues; Lotus Blossom.
Personnel
Jax Jazz Collective
band / ensemble / orchestraMike Emmert: alto saxophone; Juan Rollan: tenor saxophone; Ray Callender: trumpet (1, 5, 6, 8); Alphonso Horne: trumpet (2, 3, 4, 7); Josua Bowlus: piano, Fender rhodes; John 'Lil John" Lumpkin: drums; Stan Piper: bass.
Album information
Title: Lotus Blossom: The Music of Billy Strayhorn | Year Released: 2014 | Record Label: J-Bo Records
About Jax Jazz Collective
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







