Home » Jazz Articles » My Blue Note Obsession » Lee Morgan: Lee Morgan Indeed! – Blue Note 1538

34

Lee Morgan: Lee Morgan Indeed! – Blue Note 1538

By

View read count
Enter the album name hereThe first time Lee Morgan entered a recording studio, he was just 18 years old and he was leading his own band. More impressive, that band included soon-to-be-legendary pianist Horace Silver and drummer Philly Joe Jones.

This is the CD of that 1956 recording session. While the players were great, the music is merely ordinary—which isn't too surprising given the tender age of the leader. Indeed! is standard Blue Note hard bop by the guys who would, in various combinations, become the label's mainstays.

That's not a knock. This is a good record, and if you're a fan of hard bop, as I am, you'll like it. Morgan is very much the product of Dizzy Gillespie and Fats Navarro. He sounds a bit like both, and he even played Dizzy's trademark horn with a bent bell.

The other horn player is a virtual unknown—saxman Clarence Sharpe, known to friends as C. Sharpe, or C#. In many numbers, he sounds like a Charlie Parker knockoff—again, no big surprise for a young alto player in 1956, a year after Bird's death. In Sharpe's 1990 obituary, The New York Times called him "the missing link between Charlie Parker and Ornette Coleman." But that was later in life. Here, he's all bebop.

Same with Lee Morgan, who had a long and legendary career on Blue Note, recording something like 25 albums. This is the first, and it's no fault of the young 18-year-old that it's not yet as memorable as 1963's The Sidewinder. It's solid, enjoyable, if unoriginal, hard bop.

A couple of side notes: First, though the album has only one ballad, "The Lady," it is sweet and tender and nearly all Morgan. A real standout. Second, the cut "Gaza Strip" has absolutely no hints of Middle Eastern or Arabic influences. Wonder where the title came from. Finally, though Horace Silver is a member of the band, he mostly stays in the background, taking a handful of perfunctory solos.

All in all, a solid freshman outing, offering the promise of even better things to come.

Rating: 3 stars (out of 5) Availability: Many copies, new and used Cost: $5 used, $10 new


About Lee Morgan

Tags

Comments


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

A Distant Land
Rich Halley 4
Renovation
Benny Green
Kevin Sun, I.
Kevin Sun

Popular

Desolation Row
David Maranha / Rodrigo Amado
2014 NYC
King Crimson
Beneath Lifted Skies
Linda May Han Oh & Melissa Aldana
Talamanti
Patricia Brennan and Sylvie Courvoisier

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.