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Musician

Fats Navarro

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“Fats was a spectacular musician because, in a time when cats arrived on the scene with nothing, he came on with everything: he could read, he could play high and hold anybody's first trumpet chair, he could play those singing, melodic solos with a big beautiful sound nobody could believe at the time, and he could fly in fast tempos with staccato, biting notes and execute whatever he wanted with apparently no strain, everything clear. And every note meant something. You know, there are those kinds of guys who just play a lot of notes, some good, some bad. Fats wasn't one of those. He made his music be about each note having a place and a reason

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Article: Album Review

Ethan Iverson & Umbria Jazz Orchestra: Bud Powell in the 21st Century

Read "Bud Powell in the 21st Century" reviewed by Angelo Leonardi


Da quando ha lasciato The Bad Plus l'attività di Ethan Iverson s'è sviluppata in più direzioni, passando da lavori strumentali in duo (con Mark Turner: Temporary Kings ECM 2018) o in quartetto (Common Practice ECM 2019) ad opere estese come il concerto per pianoforte con l'American Composers Orchestra (Concerto to Scale). Tra le altre cose ha ...

Article: Profile

La Jazz Poetry di Jayne Cortez

Read "La Jazz Poetry di Jayne Cortez" reviewed by Maurizio Zerbo


Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connota—insieme al jazz stesso—l'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.

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News: Video / DVD

Fats Navarro: Bebop's Trumpet Bridge

Fats Navarro: Bebop's Trumpet Bridge

Trumpeter Fats Navarro was the link between Dizzy Gillespie and Clifford Brown. Navarro was in awe of Gillespie in the 1940s, particularly his fingering on the trumpet's valves. For Navarro and many bebop trumpeters, they were enamored of Gillespie's short cuts on the valves to produce pure notes. While Navarro modeled his own bebop approach on ...

1

Article: Radio

Donald Byrd & Lou Donaldson

Read "Donald Byrd & Lou Donaldson" reviewed by Joe Dimino


In honor of the new jazz book Sittin' In by Jeff Gold, we dedicate an entire hour to the music of the 1940s and 1950s. The hour begins with Charlie Parker and ends with Dizzy Gillespie. In between those titans, we profile a huge swath of jazz music and hear from the author about the book, ...

News: Birthday

Jazz Musician of the Day: Fats Navarro

Jazz Musician of the Day: Fats Navarro

All About Jazz is celebrating Fats Navarro's birthday today! “Fats was a spectacular musician because, in a time when cats arrived on the scene with nothing, he came on with everything: he could read, he could play high and hold anybody's first trumpet chair, he could play those singing, melodic solos with a big beautiful sound ...

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Article: Building a Jazz Library

Charlie Parker: Ten High Flying Albums Of Paradigm Shifting Genius

Read "Charlie Parker: Ten High Flying Albums Of Paradigm Shifting Genius" reviewed by Chris May


Born in Kansas City, Kansas in 1920, and brought up across the state line in anything-goes, jazz-friendly Kansas City, Missouri, controlled from the mid 1920s to the late 1930s by the spectacularly corrupt politician Tom Prendergast, alto saxophonist Charlie Parker lived fast and hard and passed in 1955, aged only 34 years. A founding father of ...

3

Article: Profile

20 Seattle Jazz Musicians You Should Know: Marc Seales

Read "20 Seattle Jazz Musicians You Should Know: Marc Seales" reviewed by Paul Rauch


The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 30's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...

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Article: Building a Jazz Library

Prestige Records: An Alternative Top 20 Albums

Read "Prestige Records: An Alternative Top 20 Albums" reviewed by Chris May


Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

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Article: Take Five With...

Take Five with Markus Rutz

Read "Take Five with Markus Rutz" reviewed by Markus Rutz


Meet Markus Rutz Markus Rutz plays trumpet with bluesy, soulful style and a tone that has been called gorgeous. He composes music from his home base in jny: Chicago, Illinois where he also performs modern jazz. As described by Downbeat's J.D. Considine, with his “big, dark tone and a fluid ease to his phrasing," trumpet player, ...


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