Results for "Fats Navarro"
Fats Navarro
Born:
“Fats was a spectacular musician because, in a time when cats arrived on the scene with nothing, he came on with everything: he could read, he could play high and hold anybody's first trumpet chair, he could play those singing, melodic solos with a big beautiful sound nobody could believe at the time, and he could fly in fast tempos with staccato, biting notes and execute whatever he wanted with apparently no strain, everything clear. And every note meant something. You know, there are those kinds of guys who just play a lot of notes, some good, some bad. Fats wasn't one of those. He made his music be about each note having a place and a reason
Ethan Iverson & Umbria Jazz Orchestra: Bud Powell in the 21st Century
by Angelo Leonardi
Da quando ha lasciato The Bad Plus l'attività di Ethan Iverson s'è sviluppata in più direzioni, passando da lavori strumentali in duo (con Mark Turner: Temporary Kings ECM 2018) o in quartetto (Common Practice ECM 2019) ad opere estese come il concerto per pianoforte con l'American Composers Orchestra (Concerto to Scale). Tra le altre cose ha ...
La Jazz Poetry di Jayne Cortez
by Maurizio Zerbo
Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connota—insieme al jazz stesso—l'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.
Fats Navarro: Bebop's Trumpet Bridge
Trumpeter Fats Navarro was the link between Dizzy Gillespie and Clifford Brown. Navarro was in awe of Gillespie in the 1940s, particularly his fingering on the trumpet's valves. For Navarro and many bebop trumpeters, they were enamored of Gillespie's short cuts on the valves to produce pure notes. While Navarro modeled his own bebop approach on ...
Donald Byrd & Lou Donaldson
by Joe Dimino
In honor of the new jazz book Sittin' In by Jeff Gold, we dedicate an entire hour to the music of the 1940s and 1950s. The hour begins with Charlie Parker and ends with Dizzy Gillespie. In between those titans, we profile a huge swath of jazz music and hear from the author about the book, ...
Jazz Musician of the Day: Fats Navarro
All About Jazz is celebrating Fats Navarro's birthday today! “Fats was a spectacular musician because, in a time when cats arrived on the scene with nothing, he came on with everything: he could read, he could play high and hold anybody's first trumpet chair, he could play those singing, melodic solos with a big beautiful sound ...
Charlie Parker: Ten High Flying Albums Of Paradigm Shifting Genius
by Chris May
Born in Kansas City, Kansas in 1920, and brought up across the state line in anything-goes, jazz-friendly Kansas City, Missouri, controlled from the mid 1920s to the late 1930s by the spectacularly corrupt politician Tom Prendergast, alto saxophonist Charlie Parker lived fast and hard and passed in 1955, aged only 34 years. A founding father of ...
20 Seattle Jazz Musicians You Should Know: Marc Seales
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 30's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Take Five with Markus Rutz
by Markus Rutz
Meet Markus Rutz Markus Rutz plays trumpet with bluesy, soulful style and a tone that has been called gorgeous. He composes music from his home base in jny: Chicago, Illinois where he also performs modern jazz. As described by Downbeat's J.D. Considine, with his “big, dark tone and a fluid ease to his phrasing," trumpet player, ...
Showcase
-
Cleveland Time by Matthew Alec
Premium
Contest Giveaway
Radio
