Home » Jazz Articles » Album Review » Lee Konitz: Lee Konitz Meets Alessandro Lanzoni Trio
Lee Konitz: Lee Konitz Meets Alessandro Lanzoni Trio
Some of the gems of the catalogue are Konitz's meetings with sublimely lyrical Italian pianists, most notably Enrico Pieranunzi and Stefano Battaglia. It's a distinct tradition that has transformed the initial influence of Bill Evans into a special national lineage, and the 15 year-old Alessandro Lanzoni is its latest incarnation. At this stage in his development, he's no Pieranunzinor is anybody elsebut he's a compelling player in a thoughtful vein, already more than promising. There's real feeling and invention in his playing rather than the rote learning that might be feared. It's Konitz, if anyone, who's showing his age, sounding at times more tentative than usual, but even at 80 (the session took place a mere three days after his 80th birthday) he's a genuinely improvisatory player, taking chances, still looking for the road not taken. Together he and Lanzoni achieve an almost heartbreaking sweetness on the ballads "Never Let Me Go" and "You Must Believe in Spring" (surely the group's theme song). It's a touching and evocative encounter, fully worthy of Evans' memory, with able support from bassist Ares Tavolazzia fine soloistand drummer Walter Paoli, whose names appear in the liner notes rather than in the credits, evidently neither old enough nor young enough to qualify for back panel listing.
Track Listing
The Touch of Your Lips; Let's Have A Talk; Peri's Scope; Never Let Me Go; Funkallero; You Must Believe in Spring; In Your Own Sweet Way; Nardis; Beautiful Love; Body and Soul.
Personnel
Lee Konitz
saxophone, altoLee Konitz: alto saxophone; Alessandro Lanzoni: piano: Ares Tavolazzi: bass; Walter Paoli: drums.
Album information
Title: Lee Konitz Meets Alessandro Lanzoni Trio | Year Released: 2009 | Record Label: Philology Jazz Records
About Lee Konitz
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






