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You may be surprised to learn that one of the best big bands on the 2019 jazz circuit in made up of musicians who simultaneously serve in the US Air Force. But as you hear on their Jazz Heritage Series 2019 Radio Broadcasts
with guest artists Cyrille Aimee
, Kenny Barron
and Branford Marsalis
, or on Global Reach
, their around the world survey of jazz and jazz-related tunes from 2018, the US Air Force The Airmen of Note
truly shine as a beacon of big band and large ensemble jazz. Global Reach
takes on the music of Argentina, Brazil, India, Japan, Kenya and Korea, plus The Beatles
, too. With neither formality or ceremony, The Airmen of Note simply tear into its opening Japanese folksong "Sakura" and the thunderous roar from the rhythm section (Technical Sargent Cameron Kayne on bass, Master Sargent David McDonald on drums, and TSgt Chris Ziemba on piano), keeps the throttle wide open throughout.
Their exercise of "Obiero" grows into a full-blown ensemble where horns rise up and stand upon each other like mountains; features a lovely lead vocal by TSgt Paige Wroble, whose own voice pulls out the birdsong qualities of the original Kenyan folksong; and slowly but surely comes to rest like a giant musical wheel slow rolling to its eventual stop. The Korean folksong "Arirang" arises like musical mist from the ensemble's exotic colors and soft shades, its flutes and horns fluttering in and out of its edges like birds sketched across the sky. Global Reach
honors two of South America's most enduring composers, Astor Piazzolla
(Argentina) and Antonio Carlos Jobim
(Brazil). The rhythm and brass sections twirl and curtsey into Piazzolla's "Michelangelo '70," led by tenor saxophone and electric guitar, then pull its mood from romantic moonlight into bright daylight. "Inutil Paisagem" pours out Jobim's cool yet warm rhythms like flowing water, while the melody carries Wroble's lead vocal toward the heavens, and trumpet completes this portrait in perfectly lovely tonal colors.
The Airmen conclude their global tour with a joyous jazz detonation of "Itsbynne Reel," co-composed by Michael Brecker
and Don Grolnick
, a sound tornado that features twin soprano and twin tenor saxophone battles and rampages for more than seven celebratory minutes.
USAF Band Airmen of Note: Jazz Heritage Series 2019 Radio Broadcasts Featuring Airmen of Note with Cyrille Aimée, Kenny Barron and Branford Marsalis
The Jazz Heritage Series 2019 Radio Broadcasts
featured the premier jazz ensemble of the US Air Force, the Airmen of Note, recorded live in concert with young and not-quite-young lions of jazz: vocalist Cyrille Aimee
, pianist Kenny Barron
and saxophonist Branford Marsalis
This promotional voiceover for these 2019 Radio Broadcasts
explains their connection: "Like the great pioneers of the airBilly Mitchell, Hap Arnold and Jimmy Doolittlemusical pioneers from Louis Armstrong to John Coltrane and beyond used forward thinking and innovation to shape America's music: jazz."
"We wear sort of two hats at the same time," explains Airmen of Note Music Director and lead trombonist MSGT Ben Patterson. "We're ambassadors not only for the music but for the United States Air Force and so we're going out and spreading messages for both of those things at the same time. I tend to think that one of the best uses of our tax dollars as Americans is these military bands. Fortunately, the higher-ups continue to think that spreading messages through music is a valuable thing."
Barron and Marsalis, in their own interviews, certainly agree. Right after Barron is introduced to the radio audience, he immediately says, "First of all, I'd like to say: This band is great."
"This band is great. They're great. They're a jazz band. They're not a 'big tent' jazz band, they're a jazz band," enthuses Marsalis. "It is swinging. They sound great. It's an honor to be here."
Cyrille Aimée Radio Broadcast
Vocalist Cyrille Aimee
attended college with Airmen of Note bassist TSGT Cameron Kayne and met the rest of the ensemble when they were both performing at the Detroit Jazz Festival. Born in France, Aimée's heartstrings were insistently strummed by the music of local gypsies, an influence which remains strong in her vocal style. Aimée has won both the Montreux Jazz Festival and Sarah Vaughan
International jazz vocal competitions and has recorded eight albums since she arrived through a musical scholarship in the US.
The Airmen of Note open the Cyrille Aimée broadcast with their interpretation of "Visions" (Stevie Wonder
) and an incendiary Latin take on "Take It to the Ozone" from Freddie Hubbard
's landmark Super Blue
(1978, Mosaic). They open "Ya Gotta Try" as a swinging piano trio before the horns sweep in and out like the ocean tide, all in the style and sound (and power) of a classic Count Basie
On this Radio Broadcast
, the longer Aimée sings, the more her vocals swing. In "September in the Rain," the control, elasticity and articulation of her improvised vocal are remarkably musical and set the path for the ensemble horn choruses which follow. "I recorded this song first for a live album, Live at Small's
, and I took a vocal solo, I improvised," she explains. "And then the director of the Chicago Jazz Orchestra
transcribed my solo and turned it into a soli for a big band, so that's what you're going to hear tonight."
Aimée and the Airmen meet the challenge of "Long as You're Living," swinging big-band music so swivel-hipped and sharp that it even sounds like it was written by three bop-era horn players (Julian Priester
, Tommy Turrentine
and Clifford Brown
Aimée virtually prowls like a playful feline into her lovely performance of "What A Little Moonlight Can Do," lilting and floating where the music calls, and ripping it up and tearing it down when the music calls for that, too. The light air and sophistication of the closing "Cheek to Cheek" also seems to fit Aimée's voice like a soft and supple satin glove, as she elegantly glides through the first few verses, but stretches out like a glorious lioness to close.
Kenny Barron Radio Broadcast
The Airmen of Note open the Kenny Barron
performance with their full steam ahead voyage through Sammy Nestico's "Ya Gotta Try," a favorite of Count Basie
as well as of Frank Sinatra
's favorite drummer, Buddy Rich