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Julian Priester
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Julian Priester is an American jazz trombonist and composer. He has played with many artists including Sun Ra, Max Roach, Duke Ellington, John Coltrane and Herbie Hancock. Priester attended Chicago's DuSable High School, where he studied under Walter Dyett. In his teens he played with blues and R&B artists such as Muddy Waters, Dinah Washington, and Bo Diddley, and had the opportunity to jam with jazz players like Max Roach, trumpeter Clifford Brown, and saxophonist Sonny Stitt. In the early 1950s Priester was a member of Sun Ra's big band, recording several albums with the group before leaving Chicago in 1956 to tour with Lionel Hampton
Dawn Clement: Delight
by Paul Rauch
Pianist / vocalist / composer Dawn Clement has appeared on plenty of recordings, both as a sideperson and leader, but she has perhaps never quite accomplished what she has here with Delight, on the Origin Records label. There are balances achieved with this record that fans of the long-time Seattle, now Denver-based Clement can ...
Seattle Jazz Fellowship: A New Age In A New Space
by Paul Rauch
The Seattle Jazz Fellowship, a 501(c)(3) non-profit supporting jazz and jazz culture primarily at the local level, came to life in a backroom bar in the city's arts district on Capitol Hill in October 2021. The city, the nation, the world, was just beginning to fully climb out of the social slumber imposed by the COVID-19 ...
Naomi Moon Siegel Opens Up and Evolves
by Lawrence Peryer
The music of trombonist Naomi Moon Siegel captures both urban energy and rural spaciousness. Her formative years in Seattle's experimental jazz scene included collaborations with, and mentorship from, Wayne Horvitz and Julian Julian Priester. In 2016, she moved to Missoula, Montana--a decision that transformed her musical perspective and became the foundation of her newest work.
Andrew Hill Sextet Plus Ten: A Beautiful Day, Revisited
by Dan McClenaghan
The heyday of pianist Andrew Hill (1931-2007) happened during his hang with Blue Note Records, where he released ten albums between 1963 and 1970, including 1964's Black Fire, a splendid quartet session featuring saxophonist Joe Henderson; 1964's Point Of Departure), that featured a freewheeling sextet that included Henderson, multiple reedist Eric Dolphy and trumpeter Kenny Dorham; ...
Xavier Lecouturier: Focus in Constant Motion
by Paul Rauch
In many ways, Seattle-based 26 year old drummer and composer Xavier Lecouturier typifies the plight of brilliant young jazz musicians on the horizon in the twenty-first century. While the talent pool in jazz music has never been more prodigious, it faces major challenges in terms of work availability and when it is available, earning a living ...
Detroit Jazz Festival 2024: The Year of Alice
by Paul Rauch
Detroit Jazz Festival 2024 Hart Plaza & Campus Martius Detroit, MI August 30-September 2, 2024 An annual pilgrimage to the Detroit Jazz Festival allows a jazz fan, or in this case, a jazz journalist, to reset to an internal default setting for what this music means to us on a very ...
Eddie Henderson: Everything Changes
by Ian Patterson
Eddie Henderson made his name in Herbie Hancock's Mwandishi band in the early 1970s, at the dawn of jazz-fusion--a new frontier. It was undoubtedly a launching pad that saw the New York-born trumpeter go on to play with Art Blakey and The Jazz Messengers, Elvin Jones, Archie Shepp, Pharoah Sanders and McCoy Tyner. Yet ...
Salvation through rhythm: Max Roach—The Drum Also Waltzes
by Peter Jones
Max Roach--The Drum Also Waltzes Directed by Sam Pollard and Ben Shapiro PBS American Masters2023 Anyone who enjoyed the recent Wayne Shorter documentary Zero Gravity might also dig this--a more conventionally structured but equally fascinating look at the life of Max Roach. Filmmaker and interviewer Sam Pollard began making it in ...
Sun Ra Arkestra at SFJAZZ Center
by Harry S. Pariser
Sun Ra Arkestra SFJAZZ Center Summer Season San Francisco July 18-21, 2023 Though on the surface, Dead & Company and the Sun Ra Arkestra--the first a Grateful Dead offshoot focusing on rock tunes featuring extended jams, the other an avant-garde jazz ensemble that remains ahead of its time--might seem really ...
