Home » Jazz Articles » Album Review » Spinifex: Hipsters Gone Ballistic
Spinifex: Hipsters Gone Ballistic
The quintet distills elements from all the above mentioned outfits, contrasting extremely tight, irregular structures and rhythms with explosive free improvisations and disciplined math- metal precision with playful Indian Karnatic rhythmic elements. All selections are played with sheer abandon and joyful passion, from the first second to the last one.
All compositions feature restless shifts and complex dynamics as well as the highly collaborative and versatile interplay of this well-rehearsed quintet. "Boo" shifts naturally, back and forth between a melodramatic metal suite, minimal yet intense sonic searches and the post-bop solo singing of alto saxophonist Tobias Klein. "Joint Strike Focker" erupts like a supersonic missile, abruptly suspended in mid-flight then launched back into its roaring course. "Rost" begins with Tambura-like drones before it settles on a rare, gentle groove and patient interplay. It eventually climaxes into an inevitable, eruptive coda. "Flying Object Fort WorthUmeåSheffield" finally spices the bombastic dynamics of the quintet with much needed doses of humor and irony. The most impressive piece is an inspired, uplifting cover of Karnatic composer and singer Papanasam Sivan, "Sre Valli Devasenapathe," that sounds like a spin on their fellow countrymen The Ex's Ethiopian covers.
No doubt, the hipsters went on a wild ride.
Track Listing
Hipsters Gone Ballistic; Boo; V; Joint Strike Focker; Rost; Lotigus; Flying Object Fort Worth - Umeå - Sheffield; Waste Land Jam; Sre Valli Devasenapathe.
Personnel
Spinifex
band / ensemble / orchestraGijs Levelt: trumpet; Tobias Klein: alto saxophone; Jasper Stadhouders: guitar; Gonçalo Almeida: bass guitar; Philipp Moser: drums.
Album information
Title: Hipsters Gone Ballistic | Year Released: 2014 | Record Label: TryTone
About Spinifex
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







