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Album Review

Spinifex: Undrilling the Hole

Read "Undrilling the Hole" reviewed by Vincenzo Roggero


Spinifex è un gruppo eterogeneo per esperienza e per provenienza geografica, con base ad Amsterdam, che con Undrilling the Hole giunge alla nona pubblicazione, la quinta con questa formazione, un sestetto con tre fiati, sezione ritmica e chitarra. A differenza dei precedenti album nei quali le composizioni provenivano dalla penna di diversi componenti del gruppo, in quest'ultimo la scrittura è tutta appannaggio di Tobias Klein, il fondatore nel lontano 2010 dell'ensemble, allora in forma di nonetto. Questa novità ...

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Album Review

Spinifex: Undrilling the Hole

Read "Undrilling the Hole" reviewed by Lawrence Peryer


The Amsterdam-based sextet Spinifex borrowed their name from a hardy Australian grass known for thriving in harsh conditions. For nearly two decades, they have forged original music from seemingly incompatible elements--mathematical structures, punk aggression, free jazz fire. Their ninth album, Undrilling the Hole, presents seven new compositions from alto saxophonist Tobias Klein that showcase the band's singular musical vocabulary. Mathematics shapes Klein's compositions, but not in obvious ways. “Nothing fancy," Klein explains. “The basic proportions=-twos and threes, sometimes ...

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Radio & Podcasts

Spinifex, Angelica Sanchez / Camila Nebbia Duo, & Rob Mazurek

Read "Spinifex, Angelica Sanchez / Camila Nebbia Duo, & Rob Mazurek" reviewed by Maurice Hogue


The unpredictable but always powerful Dutch sextet, Spinifex, is releasing its latest album in North America, Undrilling The Hole, so it will be interesting to see if the band gains some traction in North America. Hopefully it will; they're a no-prisoners-taken ensemble. Brooklyn's I-Beam was the venue for a most interesting and perhaps inevitable hook-up for pianist Angelica Sanchez and Argentinean saxophonist Camila Nebbia. A brilliant duet album was the result. Rob Mazurek's multi-dimensional world was on full display at ...

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Festivals Talking

Moers Festival Interviews: Spinifex

Read "Moers Festival Interviews: Spinifex" reviewed by Martin Longley


Spinifex will make an extremely welcome return to the Moers Festival in early June 2022. This heavily international group specialises in a collective meshing, combining the precision of composed themes with ample leeway for crashing over the barriers, splattering down onto a grassy field of wild improvisatory freedom. Heavy activity over a decade's span makes this stance so staunch with experience that any perversions of the agreed form can be confidently executed in the knowledge that Spinifex always knows where ...

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Album Review

Spinifex: Beats The Plague

Read "Beats The Plague" reviewed by Mark Corroto


Finally, a band of brothers retaliates against the coronavirus. The scientists and the anti-vax antipodes have had their day. Time for some partisan guerrilla action. Okay, maybe just a pipe dream, but these nine tracks by the Amsterdam based Spinifex deliver a much needed counterattack to this diabolical infective agent. Recorded in June of 2021, Beats The Plague is the band's seventh release. It follows Soufifex (TryTone, 2019) where the band looked East for inspiration from Sufi music. ...

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Album Review

Spinifex: Soufifex

Read "Soufifex" reviewed by Vitalijus Gailius


The Amsterdam-based sextet Spinifex—well known for their passion to cross stylistic borders, tight irregular structures and robust improvisational eruptions—still continue their journey through different musical traditions. On their fifth full-length album, Soufifex, the ensemble flee the European musical tradition and turn their faces to the Oriental world, i.e. to the Sufi, mystical Islamic belief and practice in which Muslims seek to find the truth of divine love and knowledge through direct personal experience of God, a musical heritage which is ...

2
Album Review

Spinifex: Hipsters Gone Ballistic

Read "Hipsters Gone Ballistic" reviewed by Vincenzo Roggero


Basso elettrico e chitarra elettrica acchiappano da subito con spietata inesorabilità, con la violenza del rock più aggressivo e la capacità di infiltrarsi e stravolgere le trame musicali attraverso la sensibilità e la prontezza del jazz. Poi i fiati, magmatici e cristallini, imprevedibili e sarcastici, laceranti come un urlo nella notte, inquietanti come una ninna nanna in un film dell'orrore. E la batteria a menar fendenti, a sostenere ritmi impossibili, a catapultare in luoghi improbabili chiunque pensi a un segnale, ...


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