Home » Jazz Articles » Album Review » Lara St. John / Royal Philharmonic Orchestra, Sarah Ioan...

471

Lara St. John / Royal Philharmonic Orchestra, Sarah Ioannides: Hindson, Corigliano, Liszt/Kennedy/St. John

Lara St. John / Royal Philharmonic Orchestra, Sarah Ioannides: Hindson, Corigliano, Liszt/Kennedy/St. John
After culminating a ten-year romance with Bach, Canadian violinist Lara St. John has turned her attention to more modern fare. Not content to record another "Tchaik/Sib or Bruch/Mendelssohn," St. John has elected to debut a violin concerto by Australian composer Matthew Hindson, reinterpret John Corigliano's score for The Red Violin (1998) and put on her violin spin of Franz Liszt's "Totentanz." With this recording, St. John establishes herself firmly in the past and present, on her own terms, and with what can only be called her own special je ne sais quoi.

Matthew Hindson (born 1968) is an Australian composer educated at the University of Sydney and University of Melbourne. He takes a fresh, contemporary approach to composition without abandoning the past. His "Violin Concerto No. 1" ("Australian Postcards") (2000) is pastoral in the same way as Aaron Copland's "Tone Poems," revealing an aural portrait of his Australian homeland.

The concerto's three movements are named for specific places and landmarks. Hindson explains that his approach was to "[implement] in this piece that of 'Australian Postcards'—i.e. a set of movements that in some way reflected some Australian place or outlook. I decided that each of the 'postcards' would portray contemporary rather than historical Australian culture." The composition offers St. John plenty of opportunity to show off her scintillating technique in a way Bach could never provide.

American Composer John Corigliano (born 1938) composed the "Red Violin Suite," derived from the score of the movie of the same name (for which he was awarded an Academy Award for Best Film Score in 1999). The original recording cast Joshua Bell as violinist with the Philharmonia Orchestra ,under the direction of Esa-Pekka Salonen. St. John markedly brightens the performance under the light of Sarah Ioannides' baton, directing a very fine Royal Philharmonic Orchestra.

The 25-plus minute suite is dense with drama, accentuated by tempo and timbre changes. In St. John's hands the piece is acutely Romantic without falling into emotive excess. St. John's 1779 Salabue Gudagnini is perfectly balanced for this music composed for a film about the life of well-heeled violin.

Perhaps contrary to St. John's opinion, the violinist's adaptation of Liszt's "Totentanz" is the true center of this recording. Liszt was a virtuoso's virtuoso and his compositions were for the glory of only one: himself. But when one has talent to burn, that is okay. St. John and collaborator Martin Kennedy coax all of the Lisztian pathos from the master's dance of death. In the bargain, the two identify Liszt as an integral link between the great Beethoven and Wagner—in Liszt, those two geniuses shake hands.

St. John demonstrates the pioneer spirit in an art often thought of as dusty and drab. Her effect on the music is one of warm humidity, a frankly sensual vision seen through the lenses of certain youth, wonder, and determination. The Bach was great, but Lara St. John has much, much more to offer.

Track Listing

Wind Turbine at Kooragang Island; Westerway; Grand Final Day; Suite from The Red Violin; Totentanz.

Personnel

Lara St. John: violin; Royal Philharmonic Orchestra, Sarah Ioannides conducting.

Album information

Title: Hindson, Corigliano, Liszt/Kennedy/St. John | Year Released: 2008 | Record Label: Ancalagon

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.