Home » Jazz Articles » Album Review » Matthew Shipp: Equilibrium
Matthew Shipp: Equilibrium
Shipp, who began his career on the outside reaches of free jazz and classical music, has turned into the pied piper of ‘nu jazz.’ His role since 2000 has been the producer of the Blue Series for Thirsty Ear records. In this capacity, he is leading younger listeners to jazz and mature jazz fans to younger music. His fusion of improvisation with DJ culture, Hip-Hop, and electronic music is one of melting and amalgamation to create a catalytic effect. There are no pieces and parts; this is a whole concept.
Equilibrium opens with the haunting title track, braiding piano explorations over muted vibes and cymbal work. This sets up Shipp’s concept of improvisation over rhythms and urban beats. His piano (notably left hand) supplies the groove, along with repeated beats for Khan Jamal’s flourish of notes. Shipp plays the rhythm master throughout, lending credibility to the programmed beats of today’s music. When he lays down a bell-like rhyme on “Cohesion” the funk vibe underneath and the DJ cuts and samples gain acceptance.
Shipp merges man with machine. When the synthetic is applied, he orchestrates William Parker’s passionate bass or Khan Jamal's ringing vibes. Shipp draws you in with the ‘nu’ but slays you with the tested and true. His introverted piano playing on “World Of Blue Glass” comes in classic trio format, but fits naturally in with his established beats against spacious vibe. He plays funky rhythms and break beats to lure you back to the imaginary world of creative jazz. Shipp’s design works to perfection.
Track Listing
Equilibrium; Vamp To Vibe; Nebula Theory; Cohesion; World Of Blue Glass; Portal; The Root; The Key; Nu Matrix.
Personnel
Matthew Shipp
pianoMathew Shipp
Album information
Title: Equilibrium | Year Released: 2003 | Record Label: Thirsty Ear Recordings
About Matthew Shipp
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.
