Home » Jazz Articles » Album Review » Stefano Travaglini: Ellipse
Stefano Travaglini: Ellipse
Ellipse is a solo piano collection, recorded spontaneously, without edits or modifications. It can be classified as free improvisation butas on the opening "The Importance of Fishing"abstraction and lyricism coexist nicely. The 1928 song "Softly, as in a Morning Sunrise" by Sigmund Romberg and Oscar Hammerstein II was originally composed as a dance piece, but in most of its many jazz forms, has been greatly modified. Travaglini's interpretation is unique in its mix of staccato notes and nonlinear improvisation. "Monk's Mood" is also covered as the first part of a medley with Travaglini's own "Presences." The pianist treats Thelonius Monk with due respect even while occasionally infusing the ballad rendition with a more aggressive attitude. "Looking Back" and the closing piece, "Good Bye, for Now" are beautifully expressive and more structured.
Travaglini improvises as if having previously immersed his mind in a written version of the same piece. On Ellipse, the spontaneous creations, the melodies and passages, all hang together as if part of a well-planned narrative. Since he quotes the zen-like philosophy of Lee Konitz with "That's my way of preparationto not be prepared" we can assume that the structures we hear are being developed in real time. Ellipse is a terrific solo piano recording; adventurous, but never over the top, and often quite beautiful.
Track Listing
The Importance of Fishing; Life; The Flowering Season; Persistence; Monk's Mood / Presences; Looking Back; Intermezzo; Softly, as in Morning Sunrise; Good Bye, for Now (Meditation).
Personnel
Stefano Travaglini
pianoStefano Travaglini: piano.
Album information
Title: Ellipse | Year Released: 2017 | Record Label: Notami Jazz
About Stefano Travaglini
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







