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Despite this 1970 album having been previously reissued on CD in Germany and Japan, this is the first time it has received such an accolade in the United Kingdom, its country of origin. Bob Downes is a talented multi-instrumentalist and composer and this album was one of his incursions into the world of jazz-rock, although he was equally at home playing in a free jazz context with his acoustic Open Music trio. Originally released on Polygram's Vertigo label, Electric City boasts the cream of British jazz musicians including Ian Carr, Kenny Wheeler, Harry Beckett, Chris Spedding, Ray Russell, Daryl Runswick and Harry Miller.
Songs such as the opening "No Time Like The Present" might have invited speculation that Polygram perceived Downes' eclectic music as something of a Trojan horse into the lucrative rock marketindeed, it was also released as Downes' only 45 rpm single (backed with "Keep Off The Grass")but this material's jazz element confounds any accusations of selling out. "Gonna Take A Journey," for example, begins as a free blowing session, culminating in a heavy jazz-rock jam underpinned by assorted guitars and drum,s and an ensemble riff over top.
Whilst the vocal trackshalf the album features singingmay not be to everyone's taste, Downes nevertheless manages to impart a feeling of fervent, almost naïve honesty and a considerable amount of tenderness, as in the ballad "In Your Eyes."
The ensemble arrangements are excellent and the solosmainly taken by Downes and the guitarists (particularly Spedding and Russell)are positively gripping. Downes is a virtuoso flautist, as evidenced by tracks like the bluesy "Keep Off The Grass," but he also demonstrates some fiery free-blowing saxophone work on numbers like "Crush Hour." Resplendent with cover art reminiscent of Zappa's Burnt Weeny Sandwich (Ryko, 1970), this is an essential piece of psychedelic jazz history.
Track Listing: No Time Like The Present; Keep Off The Grass; Don't Let Tomorrow Get You Down; Dawn Until Dawn; Go Find Time; Walking On; Crush Hour; West 11; In Your Eyes; Piccadilly Circles; Gonna Take A Journey.
Personnel: Bob Downes: vocals, tenor saxophone, alto saxophone, alto flute, concert flute, bedee, saxophone mouthpieces; Dave Brooks: tenor saxophone; Don Faye: baritone saxophone; Nigel Carter: trumpet; Kenny Wheeler: trumpet; Bud Parks: trumpet, flugelhorn; Harold Beckett: trumpet, flugelhorn; Ian Carr: trumpet, flugelhorn; Ray Russell: guitar; Chris Spedding: guitar; Herbie Flowers: bass guitar; Daryl Runswick: bass guitar; Harry Miller: bass guitar; Dennis Smith: drums; Alan Rushton: drums; Clem Catini: drums; Robin Jones: congas, timbales.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.