L'incontro tra Domenico Sciajno e il compositore, clarinettista e artista visuale Gene Coleman documentato in Diospyros è un qualcosa di decisamente vivace e fertile ogni qualvolta trova un luogo sonoro in cui realizzarsi.
All'occasione Coleman funge da fonte per il real time processing di Sciajno che si sbizzarrisce a partire da un materiale particolarmente adatto alla manipolazione. Ne deriva un vera e propria scultura sonora, suddivisa formalmente in quattro tracce, ma assai più variegata e spezzettata (o piena di sfumature al suo interno) se ascoltata d'un fiato.
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