Home » Jazz Articles » Album Review » Django Bates: Beloved
Django Bates: Beloved
This is the first I have heard of Django Bates though he has been making shrewd music since 1979. He has played with a host of names, including former Yes and King Crimson drummer Bill Bruford; fellow free thinking percussionist George Russell, and musical chaos master and ECM label mate Tim Berne. He has been rousing the British and European jazz venues since the 1990s. Makes you wonder how American-centric one can get.
Anyway, it is with a sense of wonder that you find yourself listening to the rollicking, shape shifting, "Giorgiantics" as it moves seamlessly into old school mode on "Little Petherick" wherein Bates and his fellow space benders, bassist Petter Eldh and drummer Peter Bruun share inspiration with the leader, and the leader follows where they flow. With a pulling swing, "Senza Bitterness" is there one moment and gone the next, leaving you wondering how they did all that in under four minutes.
The lengthy "The Study of Touch" is a fluidly lush affair with the Muse, as is the nearly comic "Slippage Street" and the irrepressible stylings and romance of "Peonies As Promised." As they have done in the past with Beloved Bird the trio does immeasurable justice to Charlie Parker, and the pinnacle of that is right here on Bird's signature "Passport," two minutes and forty seconds of pure play. I cannot stop listening to this one. Neither can my significant other.
Track Listing
Sadness All the Way Down; Giorgiantics; Little Petherick; Senza Bitterness; We Are Not Lost, We Are Simply Finding Our Way; This World; The Study of Touch; Passport; Slippage Street; Peonies as Promised; Happiness All the Way Up.
Personnel
Django Bates
pianoDjango Bates: piano; Petter Eldh: double bass; Peter Bruun: drums.
Album information
Title: The Study of Touch | Year Released: 2017 | Record Label: ECM Records
About Django Bates
Tags
PREVIOUS / NEXT
Django Bates Concerts
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.
