Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

2

Asuka Kakitani Jazz Orchestra: Asuka Kakitani Jazz Orchestra: Bloom

Dan Bilawsky By

Sign in to view read count
The difference between a "big band" and an "orchestra" in jazz is usually more than nominal in nature. On the surface, they may seem the same, but their intent, musical scope and arranging/compositional methodology are usually very different. While it can be seen as a bit of a generalization, the "band" tag often refers to groups that take the straightforward path, while the "orchestras" tend to take the road(s) less traveled. Duke Ellington paved the way for every adventurous jazz orchestra composer-to-be, Gil Evans and Bob Brookmeyer each extended on the promise held within such a grouping in their own special way, and Maria Schneider opened up a world of possibilities heretofore unheard of with her pastel-pure harmonies, heavenly creations and sophisticated thoughts.

While jazz orchestras, or big bands for that matter, aren't as prevalent as small groups, due to the obvious logistical and financial issues surrounding the creation and maintenance of said groupings, there is a passionate group of people out there who are putting the music ahead of financial gain and taking it in new directions at their own expense. While you can find some of these people in virtually any city with a strong jazz scene, the borough of Brooklyn has more than its fair share; it almost seems to be bursting at the seams with creative orchestras and trombonist/conductor/composer JC Sanford deserves a good deal of credit for this. While he leads his own large group, Sanford's role as a scene cultivator is of greater importance. His "Size Matters" series, showcasing large ensembles at Brooklyn's Tea Lounge, has given up-and-coming composers a place to put their music on display, and many of them—including Asuka Kakitani Jazz Orchestra—owe him a debt of gratitude.

The Osaka, Japan-born Kakitani honed her writing chops at Berklee and moved south to New York when she was accepted into the BMI Jazz Composers Workshop. Mike Abene and Jim McNeely were at the helm of the program when Kakitani came aboard and she continued to sharpen her writing skills while under their watchful eyes. It was during this time that she met Sanford, who also works as a contractor for BMI groups, and he gave her the encouragement to put together her own outfit. Her orchestra had its debut performance at the Brooklyn Lyceum in 2009 and it's had plenty of opportunities to develop and grow through its many appearances at Sanford's Tea Lounge series.

Bloom marks the recording debut of the Asuka Kakitani Jazz Orchestra and it's a stunner. A strong Maria Schneider influence can be heard in her writing, with swirling celestial harmonies and bright, brilliant and bold colors popping into the picture, but she's her own woman. The best writers out there tend to use their own experiences to create, rather than projecting some less-than-genuine fallacy of themselves onto their music, and Kakitani understands this; she knows where she comes from and she knows where she's going. One minute, she may be arranging a traditional Japanese song into a sophisticated showcase for Kenny Berger's riveting bass clarinet ("Opened, Opened"), and the next minute she might be building a harmonic wall of gorgeous sound with the full power of her personnel ("Dragonfly's Glasses"). Overlapping tides of shimmering brass help "Bloom" to develop, while "Islands In The Stream" undergoes some kaleidoscopic shifts that make it a non-stop thrill ride. Each song contains a ceaseless flow of musical wonders which are slowly revealed.

Plenty of people deserve shout-outs here, including Sanford who co-produced the album with Kakitani. Vocalist Sara Serpa does for Kakitani's music what Luciana Souza does for Schneider's material, bassist Dave Ambrosio brings a quiet majesty to the dawn of "Electric Images," drummer Mark Ferber does an unbelievable job with the peaks, valleys and turns of these pieces and guitarist Pete McCann is a sonic marvel on "Islands In The Stream." Every single brass and woodwind player on hand, not to be excluded, does their job to perfection, whether soloing or making up one part of the bigger picture.

With the whole year still lying in wait, it's more than a little presumptuous to say this is the breakout large group outing of 2013. However, it's hard to imagine any other newcomer one-upping Kakitani; this music is absolutely superb.

Track Listing: Bloom; Electric Images; Bumblebee Garden; Dance One; Opened Opened; Dragonfly's Glasses; Islands In The Stream; Skip.

Personnel: Asuka Kakitani: composer, arranger, conductor; John O'Gallagher: alto saxophone, soprano saxophone, flute; Ben Kono: alto saxophone, soprano saxophone, flute; Jason Rigby: tenor saxophone, clarinet; Mark Small: tenor saxophone, clarinet; Kenny Berger: baritone saxophone, bass clarinet; Jeff Wilfore: trumpet, flugelhorn; David Spier: trumpet, flugelhorn; John Bailey: trumpet, flugelhorn; Matt Holman: trumpet, flugelhorn; Mark Patterson: trombone; Matt McDonald: trombone; Jacob Garchik: trombone; Jeff Nelson: bass trombone; Pete McCann: acoustic guitar, electric guitar; Mike Eckroth: piano, rhodes piano; Dave Ambrosio: acoustic bass, electric bass; Mark Ferber: drums; Sara Serpa: vocals.

Title: Asuka Kakitani Jazz Orchestra: Bloom | Year Released: 2012 | Record Label: 19/8


Tags

comments powered by Disqus

More Articles

Read Strange Days - 50th Anniversary Deluxe Edition Extended Analysis Strange Days - 50th Anniversary Deluxe Edition
by Doug Collette
Published: December 9, 2017
Read Trouble No More - The Bootleg Series Vol. 13 / 1979-1981 Extended Analysis Trouble No More - The Bootleg Series Vol. 13 / 1979-1981
by Doug Collette
Published: November 19, 2017
Read Love, Gloom, Cash, Love Extended Analysis Love, Gloom, Cash, Love
by Patrick Burnette
Published: October 21, 2017
Read Motel Shot: Expanded Edition Extended Analysis Motel Shot: Expanded Edition
by Doug Collette
Published: July 16, 2017
Read Sgt. Pepper’s Lonely Hearts Club Band 50th Anniversary Super Deluxe  Edition Extended Analysis Sgt. Pepper’s Lonely Hearts Club Band 50th...
by Doug Collette
Published: May 27, 2017
Read "Wingfield Reuter Stavi Sirkis: The Stone House" Extended Analysis Wingfield Reuter Stavi Sirkis: The Stone House
by John Kelman
Published: March 4, 2017
Read "Allan Holdsworth: The Man Who Changed Guitar Forever!" Extended Analysis Allan Holdsworth: The Man Who Changed Guitar Forever!
by John Kelman
Published: April 17, 2017
Read "Strange Days - 50th Anniversary Deluxe Edition" Extended Analysis Strange Days - 50th Anniversary Deluxe Edition
by Doug Collette
Published: December 9, 2017
Read "Procol Harum: Novum" Extended Analysis Procol Harum: Novum
by Doug Collette
Published: April 22, 2017
Read "Ella Fitzgerald: 100 Songs For A Centennial" Extended Analysis Ella Fitzgerald: 100 Songs For A Centennial
by Nenad Georgievski
Published: April 29, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!