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Jim McNeely
Born:
Jim McNeely was born in Chicago into a musical family. His mother sang in the church choir. His father played piano by ear (only in the key of Gb). His sister and brother both took piano lessons; his brother still plays bass in and around the Chicago area. Jim started piano lessons at the age of six. When he was eight he started lessons with Bruno Michelotti, who taught him basic music theory as well as the piano. This was the beginning of Jim’s life-long love of theory and, subsequently, composition and arranging.
He began to get interested in jazz around the age of 12. He went to Notre Dame High School for Boys (now Notre Dame College Prep) partially because they had a big band, the Melodons, under the direction of Rev. George Wiskirchen. Besides playing piano in the band he started writing big band arrangements, at the age of 16. Jim then went to the University of Illinois, again largely on the strength of their big band, led by John Garvey. There was a vibrant jazz scene there at the time: a fusion of school musicians like Ron Dewar (saxophone), Ron Elliston (piano), Charlie Braugham (drums) and Howie Smith (saxophone), along with musicians from the local scene like Ron and Cecil Bridgewater, Tony Zamora, Donald Smith and Maurice McKinley (most of whom were also involved with the university). He studied theory and composition with Ed London and Morgan Powell.
R.I.P. Louis Moholo-Moholo
by Jerome Wilson
This program includes the work of the late drummer Louis Moholo-Moholo, the last surviving member of the South African group, the Blue Notes and a great contributor to the British jazz scene. The show also features music by Joe Lovano, John Yao, and Claire Ritter. Playlist Henry Threadgill Sextett “I Can't Wait Till I ...
Dayna Stephens, Allen Lowe, and the Millennial Territory Orchestra
by Jerome Wilson
This episode features music from Dayna Stephens, Allen Lowe, and Bob Dorough. It also includes the Millennial Territory Orchestra paying tribute to Sly Stone. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Ethan Iverson “Technically Acceptable" from ...
Prescribing Jazz: A Top Ten
by Artur Moral
National Doctors' Day is celebrated unevenly across our mistreated planet. It is absent in most countries, while it is observed as a holiday in a few. Coinciding (in the United States and Australia) with this day of recognition for a vital profession, this article is especially directed to the entire jazz-loving medical community, focusing on six ...
Synthesis: The String Quartet Sessions
Label: ArtistShare
Released: 2024
Track listing: Where Can You Be; A World Lies Waiting; Playground: 1. Copy Cat, 2. Ropes and Ladders; Murmuration and Adagio; Suite for Clarinet and String Quartet: 1. Shadows at Dawn, 2. Branches at Night, 3. Fire and Flowers, 4. Image of Mistery; Chipmunk Timmy's Funny Sunny Day; Violet; Melt; Paper; Heart of Gold; Tidal Waves; Talking; Tilting World; String Quartet #1: Movement I, Movement II, Movement III; Danca de quarto (for Sara); Two Reflections for String Quartet: 1. Sorry, 2. Not Sorry; Grey Cottage: #1 Coming Out of the Fog, #2 Shaking Peace, #3 My Deer, #4 Healing and Gratitude, #5 Dustish, #6 Jazz Hands, #7 Tax Penalty Payment Approaching.
Tania Grubbs, Brian Lynch and Satoko Fujii
by Jerome Wilson
This episode features newer releases by Tania Grubbs, Brian Lynch, and Satoko Fujii as well as older music from George Freeman and Roy Hargrove. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Vardan Ovsepian “Glass Figures" from ...
Ryan Truesdell: Synthesis: The String Quartet Sessions
by Angelo Leonardi
«L'idea di Synthesis--dice Ryan Truesdell presentando il progetto--è nata dalla consapevolezza che molti compositori di jazz traggono ispirazione dalla scrittura per quartetto d'archi di eminenti compositori classici come Bartok, Brahms e Ravel, e dalla necessità di trovare un modo realistico e al tempo stesso stimolante per creare musica insieme». Il giovane orchestratore, divenuto ...
Detroit Jazz Festival 2024: The Year of Alice
by Paul Rauch
Detroit Jazz Festival 2024 Hart Plaza & Campus Martius Detroit, MI August 30-September 2, 2024 An annual pilgrimage to the Detroit Jazz Festival allows a jazz fan, or in this case, a jazz journalist, to reset to an internal default setting for what this music means to us on a very ...
Jihye Lee Orchestra: Infinite Connections
by Angelo Leonardi
Su queste pagine abbiamo seguito il percorso discografico di Jihye Lee a partire dal suo esordio (April, 2017) ed il successivo Daring Mind (Motéma 2021), co-prodotto con Darcy James Argue. La collaborazione con quest'ultimo si ripropone anche nel nuovo Infinite Connections, registrato nell'ottobre 2023, che evidenzia un significativo passo avanti nella sua sintesi ...
Take Five with Meg Okura
by AAJ Staff
Meet Meg Okura Hailed as “the queen of chamber jazz (All About Jazz)," Tokyo-native Meg Okura is a Grammy-nominated jazz composer and violinist based in New York, known for her music praised by The New York Times as “grandiloquent beauty that transitions easily from grooves to big cascades to buoyant swing." Ms. Okura leads her 10-piece ...
