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32

Album Review

Ben Rosenblum Nebula Project: A Thousand Pebbles

Read "A Thousand Pebbles" reviewed by Jack Bowers


This is music for the open-minded. On A Thousand Pebbles, his fourth album as leader, New York-based pianist & accordionist Ben Rosenblum's seven-member Nebula Project traverses a number of musical landscapes, from Bulgaria to Brazil, Ireland to Israel, and realms beyond, offering a pleasurable smorgasbord of contemporary jazz that is always engaging and never shopworn. Rosenblum the composer wrote all of the album's eleven numbers save one, Antonio Carlos Jobim & Chico Baurque's melodious “Song of the ...

Album Review

Ben Rosenblum Nebula Project: A Thousand Pebbles

Read "A Thousand Pebbles" reviewed by Alberto Bazzurro


Il giovane pianista e fisarmonicista (qui più la seconda della prima pelle, diremmo, almeno come incidenza sul sound d'insieme) newyorchese Ben Rosenblum firma con questo A Thousand Pebbles il quarto album a suo nome e il secondo alla testa del Nebula Project, sestetto (qui rinforzato da Xavier Del Castillo) versatile e capace di generare un clima solare e spesso festoso, intriso di umori latini e comunque popolari in senso lato (Rosenblum, che non di rado si sovrappone su entrambi i ...

Album Review

Ben Rosenblum Nebula Project: Kites and Strings

Read "Kites and Strings" reviewed by Alberto Bazzurro


Si parte con un episodio che potremmo definire post-bop, “Cedar Place," uno dei sette a firma di Ben Rosenblum, integrati da “Somewhere" di Leonard Bernstein, “Philadelphia" di Neil Young e un tradizionale bulgaro, ma in fondo è una falsa rivelazione, perché a seguire questa che è l'opera prima del giovane pianista e fisarmonicista newyorchese si sdipana su toni decisamente variegati, in cui il grande ceppo jazzistico è certo perfettamente avvertibile, ma i vari episodi sono più compositi, qua e là ...

4

Album Review

Ben Rosenblum Nebula Project: Kites and Strings

Read "Kites and Strings" reviewed by Jerome Wilson


Ben Rosenblum uses a lot of different instrumental elements on this release. For starters, he himself plays both piano and accordion, and his sextet also features trumpet, reeds and guitar. In addition, vibraphone and trombone show up on some tracks. That creates a blend of various textures and sounds which bring variety to this program of bright jazz compositions. Rosenblum's accordion flows together nicely with the sounds of Wayne Tucker's trumpet, and Jasper Dutz's bass clarinet on the ...

3

Album Review

Ben Rosenblum Nebula Project: Kites and Strings

Read "Kites and Strings" reviewed by Jack Bowers


Expectations are necessarily guarded when preparing to appraise a recording by the Nebula Project whose leader plays accordion. Be that as it may, any such uneasiness is quickly erased by Ben Rosenblum and his doughty ensemble whose music is decidedly colorful, melodic and accessible—which is not meant to undervalue diversity, another of its discernible points. Rosenblum, who wrote seven of the album's ten numbers, draws on influences as varied as klezmer jazz, Bulgarian folk music and even Johannes Brahms to ...

10

Album Review

Joanna Wallfisch: Blood & Bone

Read "Blood & Bone" reviewed by Dan Bilawsky


Put quite simply, Blood & Bone is both the sound of a broken heart laid bare and the sonic summation of a journey toward its reconstruction. It's an album informed by the gravitas of naked truth, finding vocalist Joanna Wallfisch creating and delivering a singular blend of poise, pain, and passion with startling clarity. As with any path to discovery or healing, there are mixed emotions to be found along the way here. On the album's tied-together ...


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