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Patricio Morales: La Tierra Canta
by Jack Bowers
While rhythm is definitely king on La Tierra Canta ("The Earth Sings"), the fifth recording by Chilean-born composer, arranger and classical guitarist Patricio Morales, it must share the throne with various handsome and radiant melodic and harmonic designs employed by Morales and his international septet. If Morales' name is unfamiliar, that could be because he has spent the last twenty-five years living and working in Switzerland. The playlist, Morales says, consists of nine “hand-picked themes" that were written ...
Continue ReadingEmi Makabe: Echo
by Angelo Leonardi
Conferma il quartetto del suo esordio (Anniversary Greenleaf 2018) la cantante a strumentista giapponese Emi Makabe, con l'aggiunta di tre prestigiosi ospiti: il chitarrista Bill Frisell, il pianista Jason Moran e la bassista Meshell Ndegeocello, che interviene declamando alcuni testi. Anche in quest'album s'incrociano stilemi giapponesi e jazzistici in una miscela generalmente delicata e suadente, anche se non mancano momenti ritmicamente articolati. Emi Makabe ha una voce da soprano leggero, canta con raffinata essenzialità e interviene suonando lo ...
Continue ReadingPatricio Morales: La Tierra Canta
by Richard J Salvucci
If it has been some time since you listened to Ralph Towner, like a few decades or so, it may not be immediately obvious what classical guitarist Patricio Morales is doing. It may not even be obvious that he is playing jazz, although, by Morales' own account, Towner was a mentor and huge influence when he first came to New York. Morales went on to study with Towner on the West Coast. He subsequently toured with him as well. Morales ...
Continue ReadingGaia Wilmer, Jaques Morelenbaum: Trem Das Cores
by Angelo Leonardi
Il violoncellista Jaques Morelenbaum e la sassofonista Gaia Wilmer celebrano l'opera di Caetano Veloso privilegiando nove sue composizioni, eseguite quasi esclusivamente in forma strumentale, con arrangiamenti di entrambi. Solo in due temi famosi, “Trem Das Cores" e “Um Dia," c'è l'interpretazione vocale di Monica Salmaso, una delle cantanti brasiliane più in vista degli ultimi vent'anni. Morelenbaum e la Wilmer sono anche autori degli arrangiamenti, che hanno un peso rilevante nella riuscita del progetto, privilegiando l'adesione ai profili tematici ...
Continue ReadingBruna Black: Vã Revelação
by Richard J Salvucci
Bruna Black is yet another one of those performers who started as something other than a singer but got there as soon as she could. Supposedly, she was a semi-pro basketball player, although that is not easy to run down. She certainly is a singer and a good one. Her repertoire in this recording is all in Portuguese, Brazilian Portuguese, and as melodious as anything to be found. When Astrud Gilberto came on to the scene in 1964, she did ...
Continue ReadingAnat Cohen Quartetinho: Bloom
by Katchie Cartwright
Anat Cohen's Quartetinho emerged from her Tentet with a self-titled album in 2022 (Anat Cohen Quartetinho, Anzic). It is a mighty little group, enhanced by doubling: Vitor Gonçalves plays accordion and piano, Tal Mashiach is on bass and guitar, James Shipp handles vibes, marimba and percussion, Cohen on clarinets. For Bloom, the band's second album, each musician contributed new compositions, generating a harmonious program that mingles flamenco (Mashiach's “Paco") with tango (Gonçalves' “Tango Para Guillermo") and ...
Continue ReadingKarrin Allyson: A Kiss for Brazil
by Katchie Cartwright
A Kiss for Brazil is Kansas-bred Grammy-nominated singer Karrin Allyson's third release to feature Brazilian music (From Paris to Rio, Concord, 1999; Imagina, Concord, 2008), and her first to showcase Brazilian musicians: Vitor Gonçalves on piano and accordion, Rafael Barata at the drums, plus the acclaimed singer-guitarist and songwriter Rosa Passos. First-call New York-based guitarist Yotam Silberstein and bassist Harvie S complete the group. The album sprang into being spontaneously, in response to a concert Passos had scheduled in New ...
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