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Tyshawn Sorey Trio: Mesmerism
by Hrayr Attarian
Composer and multi-instrumentalist Tyshawn Sorey is an idiosyncratic and restless explorer. An accomplished percussionist, he is known for blurring, if not completely erasing, the boundaries between the pre-written and the improvised. This has led him to work in a modern, Western Classical, idiom, albeit one rooted in the jazz tradition. After conducting the twenty-piece Alarm Will Sound on his critically acclaimed For George Lewis / Autoschediasms (2021, Cantaloupe Music), Sorey returns to the piano trio format on the accessible yet ...
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by Jerome Wilson
In the '60s, it was common to criticize avant-garde jazz musicians by saying they could not swing. Drummer and composer Tyshawn Sorey has travelled far beyond mainstream jazz through his “new music" composing and collaborations with other cutting edge musicians such as Vijay Iyer and Roscoe Mitchell. Now he confounds expectations by leading a piano trio which definitely swings but with its own unique way of exploring rhythm and melody. The trio is filled out with Aaron Diehl ...
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by Angelo Leonardi
«Ho sempre accolto con favore l'opportunità di suonare questa musica—dice Tyshawn Sorey-. Dopo essere stato etichettato come un cosiddetto “avanguardista" per quasi due decenni, ho deciso che era giunto il momento di realizzare questa session con musicisti che rispetto e ammiro profondamente». Un piano trio in omaggio alla tradizione può risultare sorprendente per chi ha seguito il batterista e compositore a capo di sue innovative formazioni e in partnership con Vijay Iyer, Steve Lehman, John Zorn, Steve ...
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by Mark Corroto
To say that Mesmerism by the Tyshawn Sorey Trio is a departure from the drummer's regular programming is an understatement. Rather than perform his own compositions, he has assembled this trio to perform some jazz classics and standards. Sorey only held a brief rehearsal before recording this studio session. Typically, he prefers intricate arrangements and repeated run-throughs before documenting his ensembles. Here he relies on pianist Aaron Diehl and bassist Matt Brewer's ingrained knowledge of standards and musical instincts. Diehl ...
read moreMario Pavone: Blue Vertical
by John Sharpe
There is an inevitably tinge of sadness to Blue Vertical. Not because of any particular flavor of the music, but because, along with Isabella (Clean Feed, 2021) it's one of two final releases by bassist Mario Pavone, who died aged 80 less than two months after this March 2021 recording session. Pavone began his career in the '60s free scene, and became a stalwart of bandleaders as diverse as trumpeter Bill Dixon and saxophonist Thomas Chapin. In a ...
read moreHafez Modirzadeh: Facets
by Hrayr Attarian
Innovative composer and saxophonist Hafez Modirzadeh has always pushed the idiomatic envelope in his work. His eighth release as a leader, the stimulating Facets is, as hinted on the cover art, a musical kaleidoscope. Consisting of 18 short tracks the album explores various time signatures, modes and tonal colors that fuse many musical traditions. Three equally idiosyncratic artists take turns for a set of solos and duets with Modirzadeh. “Facet Sorey," for instance, is a crystalline tune with ...
read moreMario Pavone / Dialect Trio +1: Blue Vertical
by Karl Ackermann
Bassist and composer Mario Pavone died on May 15, 2021, after a seventeen-year battle with cancer. The Connecticut native had many interests and earned a degree in engineering, a Doris Duke Foundation grant and, for a quarter-century, shared his wisdom and talent with kids at the Litchfield Performing Arts Jazz Camp, where he also served as a board member. In the 1970s, Pavone, along with Wadada Leo Smith and Anthony Braxton helped launch The Creative Musicians Improvisors Forum, a Northeast ...
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