Jazz Articles about Tony Scherr

like 168

Rick Peckham: Left End

by John Kelman
June 13, 2004

For the first album by the assistant chair to the guitar department at the Berklee School of Music, one might expect a heavily jazz-centric affair and, given Rick Peckham’s vintage, one that would be heavily informed by alumni like John Scofield, Pat Metheny and Bill Frisell. And, to be sure, there’s a certain outward edge a la Scofield, and some reference to the skewed Americana of Frisell territory. But while Left End may demonstrate these allegiances, they are just as ...

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Norah Jones: Come Away With Me

by C. Michael Bailey
January 7, 2003

Few artists have generated as much press in recent memory as Ms. Norah Jones. No fewer than five thoughtful reviews have been published in this magazine alone . A unifying theme found in all criticism is the question of whether the music Jones plays is jazz. This might be similar to the question of whether the music Josh Groban or Andrea Bocchelli is classical.

In keeping with the ecumenical spirit of this magazine, I submit that it makes little, or ...

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Norah Jones: Come Away With Me

by Roger Crane
June 11, 2002

Okay--first things first. Yes, in my opinion, the strikingly beautiful, vaguely exotic Norah Jones is worthy of the buzz and publicity that she is receiving. But is she a jazz singer? Probably not but I don't know why anyone should care. Her singing is certainly jazz influenced. Jones does not use her lovely voice as a horn at the expense of lyrics. Jones is a natural storyteller and the stories that she chose to tell on her impressive debut, Come ...

like 161

Norah Jones: Come Away With Me

by Bobby Dodd
May 1, 2002

One can't help being curious about the contents of Norah Jones' music collection after listening to her debut, “Come Away With Me". They would probably not be far off in assuming she grew up singing into various makeshift microphones around her household alongside the vocals of Billie Holiday, Ella Fitzgerald, Joni Mitchell, and Sarah Mclachlan. Despite the album's various jazz standards, one should not be so naïve to classify Norah Jones as a jazz singer. Hardcore jazz ...

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Norah Jones: Come Away With Me

by Jim Santella
April 12, 2002

Convincing in her storytellin' role, Norah Jones sings popular ballads with an emphasis on the blues. Her delicate voice sparkles gently alongside the band's twangy guitar chorus and straightforward rhythm section. She accompanies on piano. The title song, resembling a spiritual, beckons the listener to waltz away with her to a place where life will be better: better than the tension-filled surroundings we face all too often. Her original, the song belies Jones' fragile persona and warm soul. Country ballads ...

like 106

Norah Jones: Come Away With Me

by Jim Santella
March 1, 2002

Convincing in her storytellin' role, Norah Jones sings popular ballads with an emphasis on the blues. Her delicate voice sparkles gently alongside the band's twangy guitar chorus and straightforward rhythm section. She accompanies on piano. The title song, resembling a spiritual, beckons the listener to waltz away with her to a place where life will be better: better than the tension-filled surroundings we face all too often. Her original, the song belies Jones' fragile persona and warm soul. Country ballads ...

like 145

Michael Blake: Drift

by AAJ Staff
February 1, 2002

Blake is an improvising saxophonist who, because of his personal interests and the label he’s on, is often mistakenly relegated to the Worldbeat sections. To be honest, this disc only grabbed me halfway through, but when it did, it grabbed hard, and has sustained repeated listening.

The title cut, “Drift,” is echoed à la old ECM, and has lots of little percussion making the mournful tune very world-weary. Kimbrough, listed as playing only piano, is on an electric model. Scherr’s ...