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Jazz Articles about Tony Kadleck

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Album Review

Mike Holober: This Rock We're On: Imaginary Letters

Read "This Rock We're On: Imaginary Letters" reviewed by Dan McClenaghan


We live on a rock. A few billion years of the workings of the complexities of carbon chemistry put us here. The systems and intricacies of every element that has unfolded to maintain us should be respected and preserved. Mike Holober's This Rock We're On: Imaginary Letters, featuring Holober and his Gotham Jazz Orchestra, digs into this theme in a sprawling, two-disc big band jazz outing. Like life itself, and the resulting ecosystems, this multi-movement suite--an effort that is the ...

10
Album Review

Christopher Zuar Orchestra: Exuberance

Read "Exuberance" reviewed by Katchie Cartwright


Exuberance is part of a “long-form tonal conversation" between composer Christopher Zuar and animator Anne Beal. Zuar, a Long Island New Yorker, describes the work as “a journey of personal growth," which began in 2017 when he and Beal met as fellows at the MacDowell Colony in the woods of New Hampshire. He explains that the album is a “collaborative project that charts the last seven years of our lives." “In Winter Blooms," the opening track, grew out ...

7
Album Review

Remy Le Boeuf’s Assembly of Shadows: Heartland Radio

Read "Heartland Radio" reviewed by Dan Bilawsky


This ear-grabbing date from Remy Le Boeuf's Assembly of Shadows--the band's third release, following its eponymous debut (in 2019) and Architecture of Storms (SoundSpore Records, 2021)--is a sonic mirror, reflecting the multihyphenate leader's recent travels in both life and sound. Influenced by an odyssey across inland America, sights encountered along the way, and the adventitious, airwaves-dictated soundtrack to the journey, Heartland Radio offers up a striking portrait of a Promethean artist with an unfettered imagination. Opening on ...

56
Album Review

Eunmi Lee: Introspection

Read "Introspection" reviewed by Jack Bowers


Eunmi Lee is a quick learner. The South Korean-born pianist, who now makes her home in New York City, did not become acquainted with or interested in jazz until a friend introduced her to the GRP Records catalogue. That was more than a year after she had received a degree in contemporary piano from the Seoul Institute for the Arts, in 2005. Eager to learn more, Lee came to California in 2007 to take part in an open house at ...

1
Album Review

Michael Davis - Hip-Bone Big Band: Open City

Read "Open City" reviewed by Jerome Wilson


Michael Davis is an accomplished trombonist who has had a long career of live and studio work accompanying a varied roster of big-name jazz and rock talents such as The Rolling Stones, Bob Dylan, Bob Mintzer, Buddy Rich, Paul Simon, and Sarah Vaughan. He is also an established solo artist and composer who leads an imposing large ensemble, the Hip-Bone Big Band. The big band's second album is an exuberant affair which reflects the joy of getting back ...

53
Album Review

Eunmi Lee: Introspection

Read "Introspection" reviewed by Dan McClenaghan


Korean-born, New York-based pianist and composer Eunmi Lee opens her debut record, Introspection with her original composition, “Gimmick." And, if there is a gimmick, it sounds as if it might be her strong compositional voice and her way with an arrangement. The tune features Alan Ferber on trombone, saxophonist John Ellis, a guitar, bass and drums rhythm section, and Lee in the piano chair. In spite of the album's title, this opener is a bright, sassy roller. Maybe the gimmick ...

6
Liner Notes

Marshall Gilkes: Cyclic Journey

Read "Marshall Gilkes: Cyclic Journey" reviewed by Dan Bilawsky


Wonders never cease with Marshall Gilkes. Having previously reached extraordinary heights as a leader on a breakout quartet set, two standout quintet dates, a pair of essential releases with the WDR Big Band and one stunning trio album, this celebrated trombonist and composer now moves beyond known borders. Directing and fronting a sui generis assemblage merging a top-shelf rhythm combo with a brilliant brass ensemble, he uncovers and explores the conventions of his own cyclic journey. “I wrote the music ...


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