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Jazz Articles about Thomas Strønen
Timo Vollbrecht: Bremen New York
by Vincenzo Roggero
Per il suo ultimo lavoro il sassofonista e compositore di origine tedesca Timo Vollbrecht allestisce un quintetto da sogno, registra alla leggendaria Sendesaal di Brema e intitola il disco Bremen/New York, ideale ponte tra la patria d'origine e la patria d'adozione. Per qualità del suono, cura dei dettagli e impianto complessivo Bremen/New York potrebbe essere un classico disco ECM (non a caso Vollbrecht sta lavorando ad un libro su Manfred Eicher, fondatore della storica etichetta tedesca). La musica fluisce ...
Continue ReadingJohn Surman: Words Unspoken
by Mario Calvitti
Giunto alla soglia degli 80 anni, che compirà in Agosto, e con alle spalle oltre mezzo secolo di attività professionale che ha prodotto una discografia imponente e importante sia in termini di quantità che di qualità, il sassofonista britannico John Surman aggiunge un'altra gemma luminosa al ricco catalogo delle sue opere, in gran parte documentato sulla etichetta tedesca ECM Records. Non si tratta dell'atteso disco in duo con il pianista norvegese Vigleik Storaas, annunciato durante il loro tour europeo della ...
Continue ReadingJohn Surman: Words Unspoken
by Joshua Weiner
Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first appearance on Manfred Eicher's groundbreaking ECM label in 1976, Surman has forged an idiosyncratic path, releasing solo, duo, and quartet albums, transcultural collaborations (such ...
Continue ReadingJohn Surman: Words Unspoken
by Mike Jurkovic
Hypnotic and many of its antonyms--stimulating, arousing, reviving--are old school hyperbole which very often separates the hack from the veteran of critical science. But sometimes those everyday words are exactly what need to be said to tell of music unlike everyday and most others. Words Unspoken is just that. Blowing free and unhindered since 1966, and standing shoulder-to-shoulder with Terje Rypdal, Archie Shepp, Bill Frisell and John McLaughlin, British multi-reedist John Surman needs no lengthy introduction. He just ...
Continue ReadingSinikka Langeland: Wind And Sun
by Scott Gudell
Pause. Trust your inner self to guide you. Prepare to avoid the constant bombardment of a multitude of society's mind and body piercing assults. If you're not sure where to start, Sinikka Langeland is willing to help guide you. A master of the kantele (a Nordic instrument with similarities to plucked string instruments such as a zither or dulcimer,) Langeland has released a dozen albums since the mid-1990s with Wind and Sun being the 2023 addition to her canon.
Continue ReadingMats Eilertsen Trio & Trio Mediaeval: Memorabilia
by Friedrich Kunzmann
Talk of an album sounding highly reminiscent of something that could be released on Manfred Eicher's ECM label is quite common. But it does not come as a surprise anymore that much of today's music shares similar melancholic and minimalist contemporary leanings with the aesthetic found on the pioneering Munich-based label. However, this debut date, led between bassist Mats Eilertsen, his trio and Trio Mediaeval, screams ECM. Not only have both Eilertsen and the vocal trio recorded extensively with ECM, ...
Continue ReadingYelena Eckemoff: Nocturnal Animals
by Mark Sullivan
Pianist-composer Yelena Eckemoff is predictably unpredictable. After an early series of piano trio albums she worked with larger ensembles, culminating in the sextet (plus vocalists) of Better Than Gold And Silver (L&H, 2018). After cutting back to a duet with drummer Manu Katché on Colors (L&H, 2019) she returns with a larger band, but with a difference; this is a quartet with double bassist Arild Andersen (her longest collaborator), and drummer/percussionists Jon Christensen and Thomas Strønen. It may ...
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