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Rahsaan Roland Kirk: Seek & Listen: Live At The Penthouse
by Jack Kenny
Few figures in jazz history have embodied the word original quite like Rahsaan Roland Kirk. Sightless from infancy, yet bursting with boundless vision, he turned live performance into theatre, ritual and revelation. On stage, he appeared as a commanding silhouette festooned with flutes, whistles, tenor saxophone, clarinet, bells, harmonica and his self-fashioned instruments--the manzello and stritch. Before a note was played, the spectacle alone promised something extraordinary. When the music began, it revealed what Kirk himself called Black Classical Music: ...
Continue ReadingRahsaan Roland Kirk: Seek & Listen: Live At The Penthouse
by Dan McClenaghan
Most jazz fans are likely familiar with the visual images that are usually tagged onto the music of Rahsaan Roland Kirk (1935 -1977)--photos of a man in black sunglasses with three (or more) reed instruments around his neck and/or in his mouth. That these optics often precede the experience of the music is ironic, since Kirk himself was blind. But Kirk was a showman. These images caught the attention. And he did indeed play three (maybe only two; maybe the ...
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