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Samuel Blaser Quartet: As the Sea
by AAJ Italy Staff
Quartetto d'eccezione quello allestito da Samuel Blaser, giovane trombonista svizzero che con una decina di incisioni si è costruito una solida reputazione tra i colleghi e unanimi apprezzamenti dagli addetti ai lavori. Perché se il bassista Banz Oester, pur vantando collaborazioni prestigiose con Pierre Favre ed Harry Hemingway, è nome non troppo noto, il batterista Gerald Cleaver ed il chitarrista Marc Ducret non hanno bisogno di presentazioni e contribuiscono in maniera decisiva alla riuscita di questo lavoro. Samuel Blaser è ...
Continue ReadingSamuel Blaser Quartet: As The Sea
by Glenn Astarita
Allocating his time between Europe and New York City, Swiss-born trombone maestro Samuel Blaser has recorded for prominent record labels, specializing in the outside jazz realm. Thus, As The Sea is the quartet's follow-up to Boundless (hatOLOGY, 2011). Blaser's recognizable plight to lay out nouveau frontiers remains a continuum. No wonder why he's garnered the assistance of such reputable instrumentalists. Otherwise, the program contains a flux of contrapuntal statements. His musicality imparts breathy expansionism amid swarming movements that are purposely ...
Continue ReadingSamuel Blaser Quartet: As The Sea
by Eyal Hareuveni
The whole of some musical outfits is greater than its separate parts. The Berlin-based, Swiss trombonist Samuel Blaser's Quartet is one of these outfits, comprised of resourceful musicians with strong personalities, distinct approaches that together complement the strengths of this band but also pushes it into newer terrains. Blaser is conservatory trained and university educated, has a perfect-pitch sound on the trombone and rich musical vision that encompasses anything between composer Richard Wagner's grandiose operas, classical Indian ...
Continue ReadingSamuel Blaser Quartet: Boundless
by Glenn Astarita
In his relatively brief tenure as a professional jazz musician who derives influences from classical music studies and John Cage-tinted abstractions, Swiss trombonist Samuel Blaser's craft teems with curiously interesting applications and concepts. He's recorded for other prominent European record labels, but debuts on the historic Swiss-based hatOLOGY label with Boundless.Blaser imparts a penchant for innovation, fusing experimentation with structure and loosely organized tenets within a larger compositional picture, and his band of proven futurists share a common ...
Continue ReadingSamuel Blaser Quartet: Boundless
by Dave Wayne
In a relatively short time, Swiss-born trombonist Samuel Blaser has established himself as one of the most interesting and innovative low brass players to emerge from the international avant-jazz scene at the beginning of the 21st Century. He's also becoming quite prolific, releasing four CDs under his own name over the previous 12 months.Boundless, Blaser's debut recording for the preeminent Swiss jazz label Hat Hut, virtually cements the notion that Blaser is more than just another technically adept youngster.
Continue ReadingSamuel Blaser: Consort in Motion
by Dan McClenaghan
There is something positively celestial about Consort in Motion. It's like listening to a soundtrack of the workings of a Jovian planetary system: a substantial mass in the middle (Samuel Blaser's trombone), orbiting moons and scatterings of interplanetary debris (bass and drums); and flashes and sparkles twinkling off of space dust (piano), with things making sense in the milieu of a sonic version of planetary physics.Swiss trombonist Samuel Blaser leads Consort in Motion, but there is an egalitarian ...
Continue ReadingSamuel Blaser: Consort in Motion
by Troy Collins
Initially defined by composer Gunther Schuller in the late 1950s as a synthesis of jazz improvisation and classical composition, the Third Stream movement has since drifted into relative obscurity. However, in the ensuing decades the milieu has provided fertile ground for a number of visionary artists to make bold statements. The increasingly commonplace role of conservatory educations for enterprising jazz musicians has also brought newfound potential to this aesthetic; the number of young artists versed in classical composition and jazz ...
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