Jazz Articles about Ron Horton

About Ron Horton

Album Review

Andrew Hill Sextet Plus 10: A Beautiful Day, Revisited

Read "A Beautiful Day, Revisited" reviewed by Alberto Bazzurro

by Alberto Bazzurro
November 13, 2024

Registrato dal vivo al Birdland dal 24 al 26 gennaio 2002, il materiale di questo doppio CD (nonché doppio vinile) raggiunge oggi i quasi 83 minuti di durata, aggiungendo, rispetto all'edizione originaria uscita pochi mesi dopo il concerto, un'alternate take inedita del brano che intitola l'album e una versione ampliata di “11/8," riposizionando nel contempo i nove brani complessivi in quanto a “ordine di apparizione." Ne vien fuori un'opera che possiamo tranquillamente definire monumentale, anche proprio per la ...

Album Review

Andrew Hill Sextet Plus Ten: A Beautiful Day, Revisited

Read "A Beautiful Day, Revisited" reviewed by Dan McClenaghan

by Dan McClenaghan
October 21, 2024

The heyday of pianist Andrew Hill (1931-2007) happened during his hang with Blue Note Records, where he released ten albums between 1963 and 1970, including 1964's Black Fire, a splendid quartet session featuring saxophonist Joe Henderson; 1964's Point Of Departure), that featured a freewheeling sextet that included Henderson, multiple reedist Eric Dolphy and trumpeter Kenny Dorham; to Passing Ships (1969), with an exuberant multi-horn group that included trumpeter Woody Shaw, trombonist Julian Priester and flutist Joe Farrell. For those with ...

Album Review

Shoko Nagai, Maryanne de Prophetis, Ron Horton, Stomu Takeishi: FIDOqrtet

Read "FIDOqrtet" reviewed by Alberto Bazzurro

by Alberto Bazzurro
March 9, 2021

Album di improvvisazione senza rete, questo del FIDOqrtet, che in realtà agisce come tale solo in quattro degli undici brani complessivi, scindendosi negli altri sette in diversi abbinamenti: senza la voce in altri quattro ("Rayo de luna," “Tsuru," “Terramoto" e “Morning"), senza al tromba in “La Coyote," in duo rispettivamente piano/batteria e tromba/batteria in “Waking" e “Flow In." Il risultato è un album inciso in più sedute fra il 2015 e il 2016 (il gruppo è attivo ...

Album Review

Falkner Evans: Marbles

by Jack Bowers
August 8, 2020

On his fifth recording as leader, pianist / composer Falkner Evans has expanded his group size from trio (the first three) and quintet (the fourth) to sextet with vibraphonist Steve Nelson added on three of the album's ten numbers, the first nine of which were written by Evans. Even though this was a one-off, Evans' teammates are skillful enough to make it sound like a working ensemble. One reason for this is that the rhythm section (bassist Belden Bullock, drummer ...

Album Review

Falkner Evans: Marbles

Read "Marbles" reviewed by Jerome Wilson

by Jerome Wilson
July 26, 2020

Pianist Falkner Evans has been gradually expanding the size of his recording projects. He started out with a couple of trio discs, then made one with a quintet. On this latest offering, he fronts a three-horn sextet scored to sound like a bigger and fuller unit. He uses a front line of Michael Blake on tenor sax, Ted Nash on alto sax and Ron Horton on trumpet, that is blended into a cool, reedy sound which ebbs and ...

Radio & Podcasts

The Enviable Genius of Ron Horton

by Ludovico Granvassu
March 5, 2020

A founding member of the Jazz Composers Collective, Ron Horton is a trumpeter of outstsanding lyricism and versatility. This mixtape highlights the many facets of his work as a leader as well as a sideman for the likes of Ben Allison, Will Holshouser, Michael Blake, Andy Biskin, Allan Chase, Jane Ira Bloom and pianist Andrew Hill, for which he acted as Musical Director. Also featured is music from his work with The Herbie Nichols Project and the East Down Septet. ...

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Album Review

Ron Horton: It's A Gadget World...

Read "It's A Gadget World..." reviewed by Sean Patrick Fitzell

by Sean Patrick Fitzell
December 9, 2009

Preferring tonal clarity and precise lines, trumpeter Ron Horton eschews the extended manipulations frequently associated with contemporary improvisers. But the warm resonance of his sound and the fluidity of his improvisations ensure that he's never stodgy, as evidenced on this fourth CD as a leader. While the title plays with the notion of preoccupation with the latest electronic toys, the music illustrates the enduring pliability and vibrancy of a taut acoustic quartet. Often minimal, the tunes have ...