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Jazz Articles about Ron Carter
Don Ellis: How Time Passes to Essence Revisited
by Angelo Leonardi
Nelle storie del jazz Don Ellis è ricordato principalmente per l'innovativa big band che guidò per un decennio, dalla metà degli anni sessanta. Questa preziosa riedizione ci rammenta i suoi inizi di carriera, quando esplorava nuove soluzioni a partire dalla tromba: accoppia il suo debutto in quartetto (...How Time Passes...) dell'ottobre 1960 con alcuni brani di Essence, risalente al 1962. Il trombettista losangelino aveva appena compiuto 26 anni e registrava il primo album accompagnato dal pianista Jaki Byard, ...
Continue ReadingFlorian Arbenz, Michael Arbenz, Ron Carter: The Alpine Session: Arbenz vs. Arbenz Meets Ron Carter
by Neil Duggan
1937 was a landmark year: the Golden Gate Bridge opened and Edward VIII abdicated the British throne. In jazz, Billie Holiday made her debut with Count Basie and Dizzy Gillespie began his recording career. It was also the year Ron Carter, the most-recorded jazz bassist in history, was born. With over 2000 recording sessions to his name, many of them on iconic albums, he could be forgiven for putting his feet up and reflecting on past glories, but that is ...
Continue ReadingMiles In France 1963 & 1964: The Bootleg Series Vol. 8
by Doug Collette
At the very same time Beatlemania was slowly but surely beginning to engulf the globe, Miles Davis was inexorably proceeding toward what was the most adventurous music of his career. Miles In France -The Bootleg Series Vol. 8 captures a group of musicians led by “The Man with the Horn" on the threshold of forming what is referred to as his second great quintet, then actually coalescing into that stellar outfit. And the drama within that designation rapidly ...
Continue ReadingJohnny "Hammond" Smith: Wild Horses Rock Steady
by Arnaldo DeSouteiro
Born John Robert Smith on December 16, 1933 (in Louisville, KY), formerly known as Johnny Hammond Smith, and later as Johnnny Hammond, one of the all-time best jazz organists passed away on June 4, 1997, in Chicago, Illinois. For some of his early fans, some of the best albums he recorded were done for Prestige in the Sixties. A younger generation, who grew up listening to the hip-hop influenced jazz sounds of the 1990s, prefers Johnny's over-produced sessions for Milestone ...
Continue ReadingTadd Dameron: Fontainebleau & Magic Touch Revisited
by Chris May
There is much that is tragic about Tadd Dameron's story. The composer, arranger and pianist fell prey to the heroin epidemic that gripped New York's jazz world in the 1940s and 1950s. He did jail time for his addiction in 1959-60. He died at the woefully young age of 48 years in 1965. But there is nothing tragic about Dameron's legacy as a composer-arranger, the field in which he made his most important contribution to jazz. His work was unfailingly ...
Continue ReadingArchie Shepp: The Way Ahead, Kwanza, The Magic of Ju-ju Revisited
by Stefano Merighi
In questa compilation dedicata ad un periodo importante di Archie Shepp, si dovrebbe iniziare l'ascolto dalla fine. Infatti, i quasi venti minuti di “The Magic of Ju-Ju," posti in chiusura del CD, sono dell'aprile 1967; il resto del repertorio è invece stato inciso nel biennio successivo. Pur non riuscendo a comprendere il criterio con cui si assemblano questi cataloghi sonori, è indubbiamente utile comparare alcuni lavori vicini eppure assai differenti di un autore come Shepp, all'epoca sugli scudi ...
Continue ReadingIs That Jazz?
by Troy Hoffman
James Brown's funky beats, brought to you by drummer, Clyde Stubblefield, are the most popularly sampled in hip hop, but what about jazz? Has it not significantly impacted hip hop as well? The answer is of course, yes. Especially during the late '80s and early '90s golden-era of the genre. Some of the style's most iconic tracks, by groundbreaking acts like Public Enemy (see Fear of a Black Planet) and Beastie Boys (see Root Down) feature jazz as their main ...
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