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Jazz Articles about Ron Carter

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The Vinyl Post

Blackstone Legacy

Read "Blackstone Legacy" reviewed by C. Andrew Hovan


When trumpeter Woody Shaw passed away in 1989, he left behind a wealth of amazing music, notwithstanding the realized sadness inherent in wondering what more he could have accomplished had he lived a longer life. Back in the mid '60s, Shaw was ubiquitous as a sideman recording iconic albums with the likes of Larry Young, Horace Silver, Chick Corea, Art Blakey, and McCoy Tyner. Despite common misconceptions, Shaw led his first date as a leader in December of 1965, which ...

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Album Review

Ron Carter: An Evening With Ron Carter, Richard Galliano (Live At The Theaterstübchen, Kassel)

Read "An Evening With Ron Carter, Richard Galliano (Live At The Theaterstübchen, Kassel)" reviewed by Richard J Salvucci


The odds are that most readers are not intimately familiar with jazz accordion. Undoubtedly, that is because there are not very many of them; someone might list Art Van Damme, Tommy Gumina, Angelo di Pippo, and Mat Mathews, none of them a household name. The Franco-Italian Richard Galliano should probably hold contemporary pride of place among accordionists, although even he, remarkable a player that he is, will not move the needle much. That is not a good thing.Galliano ...

1
Album Review

Nanny Assis: Rovanio

Read "Rovanio" reviewed by Chris May


The Brazilian-born, New York City-based singer and composer Nanny Assis is a big talent with a low profile. His elegant blend of jazz and Brazilian music puts one in mind of another similarly inclined and relatively little known stylist, the Berlin-based composer and producer Meeco, well loved in this parish. The work of both musicians is caressing, lyrical and lush; the vibe is mostly sunny but there are dark corners. Assis and Meeco have arrived at the ...

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Album Review

M. E. B.: That You Not Dare To Forget

Read "That You Not Dare To Forget" reviewed by Doug Collette


With all due respect to Lettuce's A Tribute to Miles Davis--Witches Stew (Self Produced, 2017) and the all-star ensemble dubbed Bitches Brew Revisited, M.E.B. (formerly known as Miles Electric Band) is an inordinately creative homage to Miles Davis. And given the continually experimental path The “Man With The Horn" chose to follow throughout his career, it is no doubt one of which he would approve. That You Not Dare To Forget is a slightly less than half-hour audio ...

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Radio & Podcasts

Ron Carter, Chris Botti, Rachel Therrien & Jack Mouse

Read "Ron Carter, Chris Botti, Rachel Therrien & Jack Mouse" reviewed by Joe Dimino


From a local Midwest legend, we begin the 794th Episode of Neon Jazz with drummer Jack Mouse. From there, we hear from his mentor and legend Clark Terry. We also hear new music from the likes of Eddie Coburn, Marina Pacowski, Rachel Therrien, Danielle Wertz and bassist Leon Lee Dorsey. For the first time, we profile trumpeter Chris Botti. Finally, we wrap all of it up with an old school tune from The Virginians. Keep on digging the jazz, my ...

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Liner Notes

Miles Davis Quintets: Stockholm 1967 & 1969 Revisited

Read "Miles Davis Quintets: Stockholm 1967 & 1969 Revisited" reviewed by Mark Corroto


Let me ask you, how many versions of Miles Davis do you recognize? Let us employ the word 'recognize' in terms of both, to identify and to approve. Listeners new to the world of Miles would be hard pressed to associate the artist seen and heard with Charlie Parker at New York's Three Deuces in 1947 with the same man performing in Montreux, Switzerland some forty years later. Both his look and his sound had changed, making him unrecognizable to ...

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Album Review

Ron Carter: Finding The Right Notes

Read "Finding The Right Notes" reviewed by C. Andrew Hovan


Going back to the fall of 2016 and Ron Carter's appearance at the Detroit Jazz Festival as artist-in-residence, the buzz was that a biographical film on the man named the most recorded bassist in history was in the pipeline. During that festival, a film crew was seen regularly following Carter around Hart Plaza and the bassist even spent one full day conducting interviews with a plethora of jazz journalists. Fast forward to October of 2022 and director Peter Schnall's final ...


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