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Phineas Newborn, Jr.: A World of Piano!
by Richard J Salvucci
Did a critic ever accuse classical concert pianist Martha Argerich of displaying too much technique while playing Ravel? It is hardly an idle question as Argerich, one of the most gifted pianists in history, plays Ravel beautifully precisely because she has the technique to do so. She could not play “Sonatine" or “Gaspard de la Nuit"--fearsomely difficult, say pianists--if she did not. The beauty is inseparable from the technique; and the technique part of the beauty. This is ...
Continue ReadingMiles Davis: Workin' With the Miles Davis Quintet
by Mark Corroto
1955/56 was an inflection point in the career of Miles Davis. The trumpeter and bandleader went from a promising talent to the high profile face of jazz and popular music. The two marathon sessions, May 11 and October 26, 1956, that created Workin' With the Miles Davis Quintet along with Cookin', Relaxin' and Steamin' might have been written off by Davis as a mere fulfillment of his contract duties for Prestige Records. He had signed a more lucrative contract with ...
Continue ReadingMiles Davis Quintet: 2nd Session 1956 Revisited
by Chris May
Rough round the edges some of the performances might be, but that is part of their real-time, first-take charm. The twelve tracks collected on 2nd Session 1956 Revisited are, nonetheless, arguably the most perfect Miles Davis ever recorded. Over the years they have been issued and reissued, anthologised and repackaged, almost as often as Louis Armstrong's Hot Fives and Hot Sevens. But never with as much attention to sonic detail as on this album, remastered by the ezz-thetics label's Michael ...
Continue ReadingHarold Land: Westward Bound!
by Peter J. Hoetjes
One can't help but wonder how large the stage may have been for tenor saxophonist Harold Land had he not tethered himself to the west coast for the majority of his career. In 1954 Land moved from Santa Monica to Los Angeles and quickly earned himself a place in the immensely popular Clifford Brown/Max Roach band, beginning with the aptly named Jam Session (EmArcy, 1954). Called back to Los Angeles in 1956 by the responsibilities of being a ...
Continue ReadingBill Evans: Everybody Still Digs Bill Evans: A Career Retrospective (1956 - 1980)
by Chris May
Only occasionally do classy looking limited-edition box sets prove to be a triumph of style and substance. Too often they are undermined by cheapskate packaging, over elaborate design, poorly written and researched booklets, inadequate session details or, most egregiously, bizarre (in a bad way) track selections. So it is a more than pleasant surprise when something comes along which succeeds, and succeeds magnificently, on all those fronts. Such an item is Concord Records' Craft imprint's Everybody Still Digs Bill Evans: ...
Continue ReadingArchie Shepp: Blase And Yasmina Revisited
by Chris May
The three albums tenor saxophonist Archie Shepp recorded in Paris for BYG Records during one week in August 1969 tend to get overlooked in the slipstream of the dozen or so he made in the US for Impulse earlier in the decade. More is the pity, for as Blasé And Yasmina Revisited so resoundingly attests, the BYGs contain some of the most audacious, many splendored and deep roots music that Shepp has recorded in his still-kicking career (at the time ...
Continue ReadingHarold Land: Westward Bound!
by Pierre Giroux
Until 1954 Harold Land was a relatively unknown tenor saxophonist. He experienced a surge in his standing with the release of Clifford Brown & Max Roach (Emarcy 1954) when he was part of this high-profile, but short lived, bebop quintet (1954-56). A decade later, this hard-bop player was recognized for his engaging ideas and robust tone and is the center of Westward Bound! a Reel To Real Limited Edition 180 gram 2LP gatefold release produced by Cory Weeds and Zev ...
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