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Jazz Articles about Phillip Haynes

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Album Review

Phil Haynes: My Favorite Things (1960-1969)

Read "My Favorite Things (1960-1969)" reviewed by Geno Thackara


For some reason, cover songs almost always seem to come across more jokey in folk/bluegrass mode than any other. There's just a certain innate good humor in upbeat romps with acoustic string instruments, especially so when the treatment is applied to formerly loud rock and roll songs. Perhaps it also feels that way because bluegrass covers so often serve as cute one-off novelties in an otherwise straightfoward set. Drummer Phil Haynes and his “freewheeling jazz- grass string band" here, on ...

5
Album Review

Phil Haynes & Free Country: My Favorite Things(1960-1969)

Read "My Favorite Things(1960-1969)" reviewed by Jerome Wilson


There have been several jazz projects that looked back at the popular music of the 1960's, but none have been as all-encompassing as what drummer Phil Haynes and his band Free Country do here. They touch on Baby Boomer favorites like Jimi Hendrix, The Beatles and James Brown, but their sweep of the Sixties is wide enough to also bring in Leonard Bernstein and John Coltrane. This quartet of guitar, cello, bass and drums is extremely flexible in ...

Album Review

Phil Haynes: Sanctuary

Read "Sanctuary" reviewed by Neri Pollastri


Uscito nel 2015 ma registrato a Berlino nel 1999, presso gli studi della SFB e con il supporto di Gebhard Ullmann, questo disco documenta l'attività in solo di Phil Haynes, un tipo di performance piuttosto rara per un batterista ma che al contrario egli ha sempre portato avanti nel corso della sua lunga carriera. Il lavoro si divide in ventisei brevi tracce (la più lunga, “Kabuki," è di tre minuti e dieci secondi) a loro volta raccolte in ...

3
Album Review

Phil Haynes: Sanctuary

Read "Sanctuary" reviewed by Budd Kopman


Many musicians, at some point, acknowledge a desire that has been building within them --to create music not for anyone else, but for themselves, and, ultimately, by themselves. Obviously, this is easy for pianists, and more difficult for single-line instruments, but now much more common. Drummer/percussionists, especially in jazz, have different problems. First, of course, is the lack of (clear) pitch, relegating percussion (in general) to be but a piece of what many think of as music. Indeed, ...

Album Review

Phil Haynes No Fast Food: In Concert

Read "In Concert" reviewed by Neri Pollastri


Disco doppio registrato dal vivo in due diverse occasioni nel giugno e nell'agosto del 2012, questo lavoro ha nel titolo del progetto, No Fast Food, un emblematico ancorchè metaforico programma: la musica è infatti lontanissima dall'essere preconfezionata e pronta ad essere consumata rapidamente senza attenzione ed è invece costruita attraverso la creativa interazione di un trio affiatatissimo e individualmente strepitoso. Leader della formazione e autore di tutte le composizioni è il batterista Phil Haynes, collaboratore di Anthony Braxton ...

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Album Review

Phil Haynes: Phil Haynes’ “No Fast Food” Trio: In Concert

Read "Phil Haynes’ “No Fast Food” Trio: In Concert" reviewed by Dave Wayne


No Fast Food In Concert is rife with all sorts of footnotes and fascinating jazz lineages. But, one can simply enjoy it without being a fact-obsessed music nerd such as me; the first track, a truly pretty-but-not-precious waltz titled “Dawn on the Gladys Marie" is evidence enough of the simple universality of great music. There's a certain inevitability about the personnel involved here. Phil Haynes and Drew Gress have played together as members of each others' bands for decades. They've ...

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Extended Analysis

Phil Haynes’ “No Fast Food” Trio: In Concert (2014)

Read "Phil Haynes’ “No Fast Food” Trio: In Concert (2014)" reviewed by Victor L. Schermer


A jazz trio called “No Fast Food" is more likely to appeal to a sophisticated audience rather than attract the legion of average jazz fans, and this album will no doubt appeal to just such serious listeners who will take the time to digest it. Phil Haynes, Dave Liebman, and Drew Gress are seasoned players, all of whom strive for a synthesis of mainstream jazz with rich innovation, while mostly avoiding the free and avant garde connotations. This album, recorded ...


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