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Jazz Articles about Phillip Haynes

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Radio & Podcasts

Phil Haynes: a Renowned Jazz Drummer Chases the Masters

Read "Phil Haynes: a Renowned Jazz Drummer Chases the Masters" reviewed by Lawrence Peryer


Today, the Spotlight shines On drummer, composer, and improviser Phillip Haynes.Phil published a unique memoir in November 2023, Chasing the Masters: First Takes of a Modernist Drumming Artist (Corner Store Jazz), which includes not only his reflections on a life in and of music but also stands as an important document of nearly 40 years of music in New York City and beyond.Phil delivers plenty of inside observations of his work with figures like Lee Konitz, ...

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Radio & Podcasts

Phil Haynes: Drummer, Bandleader, Composer & Educator

Read "Phil Haynes: Drummer, Bandleader, Composer & Educator" reviewed by Doug Hall


Veteran drummer/composer Phillip Haynes is featured on more than 85 releases from numerous American and European record labels. His collaborations include many of the seminal musicians of this generation: saxophonists Anthony Braxton, Ellery Eskelin and Dave Liebman; trumpeters Thomas Heberer, Herb Robertson and Paul Smoker; bassists Mark Dresser, Ken Filiano and Drew Gress; keyboard artists David Kikoski, Denman Maroney and Michele Rosewoman; vocalists Theo Bleckmann, Nicholas Horner and Hank Roberts; violinist Mark Feldman; and the composers collective Joint Venture. His ...

6
Jazz in Long Form

Introducing Jazz History And Literature, Reconceived

Read "Introducing Jazz History And Literature, Reconceived" reviewed by Phillip A. Haynes


When I was invited to offer jazz coursework in 2007, as Bucknell University's first Kushell Jazz Artist-in-Residence, my Chair asked what single subject I thought was most important to teach. I responded, “an integrated jazz history & literature sequence, including a semester of classic jazz and one of modern jazz." To which he replied, “Fine, just as long as you can craft it so that both music majors and non-majors can take your courses successfully, without prerequisites, and yet all ...

Album Review

Jim Yanda: A Silent Way

Read "A Silent Way" reviewed by Maurizio Comandini


Il titolo e i riferimenti evocati da questo album del chitarrista di avanguardia Jim Yanda, sono piuttosto scivolosi. Volutamente. Per fortuna John Cage ha già ampiamente chiarito che il silenzio non esiste in quanto tale e quindi il percorso silenzioso intrapreso da Yanda non ha punti in comune, se non nelle cose ovvie, con il percorso che caratterizzava “In a Silent Way," uno dei capolavori più luminosi di Miles Davis. Messa in questo modo, la questione potrebbe apparire ...

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Album Review

No Fast Food: Setting For Three

Read "Setting For Three" reviewed by Neri Pollastri


Ci eravamo occupati quattro anni fa del trio No Fast Food, recensendo il doppio CD In Concert (clicca qui per leggerne la recensione); adesso la formazione torna a pubblicare un nuovo lavoro, il terzo, anche stavolta su composizioni scritte dal batterista Phil Haynes. Come era da attendersi dai musicisti che lo compongono, il lavoro è molto libero e aperto, pienamente paritetico, estremamente vario in atmosfere e stilemi, pur conservando una narratività che lo mantiene ancorato alla tradizione — ...

Album Review

Phil Haynes & Free Country: My Favorite Things (1960-1969)

Read "My Favorite Things (1960-1969)" reviewed by Vincenzo Roggero


Tre strumenti a corde--chitarra, contrabbasso, violoncello--più la batteria del leader sono l'insolita formazione con la quale Phil Haynes, batterista dalle collaborazioni eccellenti, oltre che titolare di numerosi progetti a proprio nome, da anni scandaglia e reinterpreta il repertorio della tradizione americana. In My Favorite Things 60/69 inserisce alcuni brani dei Beatles, che americani non sono (ma come si può ignorali se ti occupi degli anni sessanta ?) e per quasi due ore mostra come un patrimonio musicale apparentemente intoccabile possa ...

1
Album Review

Phil Haynes: My Favorite Things (1960-1969)

Read "My Favorite Things (1960-1969)" reviewed by Geno Thackara


For some reason, cover songs almost always seem to come across more jokey in folk/bluegrass mode than any other. There's just a certain innate good humor in upbeat romps with acoustic string instruments, especially so when the treatment is applied to formerly loud rock and roll songs. Perhaps it also feels that way because bluegrass covers so often serve as cute one-off novelties in an otherwise straightfoward set. Drummer Phil Haynes and his “freewheeling jazz- grass string band" here, on ...


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