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About Philipp van Endert

13

Album Review

Lajos Dudas: Radio Days Vol. 2

Read "Radio Days Vol. 2" reviewed by Mark Sullivan

by Mark Sullivan

The previous compilation Radio Days: The Music Of Lajos Dudas (JazzSick Records, 2016) was released to celebrate German-Hungarian jazz clarinetist/composer Lajos Dudas' 75th birthday. It collected performances dating from 1984 to the early 2000s: about twenty years. The new volume's coverage is both wider and deeper. The dates range from 1976 to 2017—over forty years—and the total time is about the length of three CDs. It comes on a special memory card, an unusual format well-suited to what Dudas describes ...

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38

Album Review

Lajos Dudas: The Lake and the Music

Read "The Lake and the Music" reviewed by Mark Sullivan

by Mark Sullivan

The Hungarian-born, German-resident clarinetist Lajos Dudas has a lengthy discography, and his long career was celebrated by the Vimeo video Ein Künstlerportrait. He has played classical music, and jazz from bebop to free. But, for what he says is his final album, he has chosen to play fresh interpretations of jazz standards and songs from the Great American Songbook. He is joined by his longtime accompanist, guitarist Philipp Van Endert on all of the tracks (along with drummer Kurt Billker ...

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47

Album Review

Lajos Dudas: The Lake and the Music

Read "The Lake and the Music" reviewed by C. Michael Bailey

by C. Michael Bailey

At 80-years old, clarinetist Lajos Dudas is dropping off the keys to the recording studio while making his way out—Dudas claims this is his last recording and, if true, he ends things on a high note at the intersection of The Great American Songbook and free jazz. Dudas' previous recording, Return to the Future (Jazzsick Records, 2018) was a jogging approach to this present, and last, The Lake and the Music, where Dudas uses 10 tried-and-true standards as his jumping ...

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300

Album Review

Philipp van Endert Trio: Rosebud

Read "Rosebud" reviewed by Douglas Payne

by Douglas Payne

Cinema has long since rendered the word “rosebud" as something elusive and enigmatic, that cannot possibly sum up what others want it to. From the moment that Orson Welles whispers the word in the 1941 film Citizen Kane, a mysterious journey of the purely unknowable is embarked upon. But what a journey. With Rosebud, the remarkably inspired German guitarist Philipp van Endert properly gives light to the inability of properly discussing creative music. Much in the same way ...

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