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Remy Le Boeuf's Assembly of Shadows: Architecture of Storms
by Angelo Leonardi
Remy Le Boeuf è uno dei nomi emergenti nell'ambito dell'arrangiamento e della conduzione orchestrale. Dopo il sorprendente Assembly of Shadows del 2019, il sassofonista e bandleader californiano (a New York dal 2004) torna con la sua orchestra irrobustita nel numero e nella qualità dei singoli componenti. Tra i nuovi ingressi troviamo in particolare il trombettista Mike Rodriguez e il sassofonista Dayna Stephens, che caratterizzano un paio di brani, anche se il lavoro di Le Boeuf è prettamente ...
Continue ReadingShai Maestro: Human
by Mike Jurkovic
That pianist Shai Maestro dreams music is an understatement: With an intense romanticist's heart, he also plays in said dream state. And it is re-affirming to know that, after the hellish year the world has been dragged kicking through, that we can all dream too. Human dreams broadly with sunrises, sunsets and all the vulnerability in-between. Amid his steadfast and quick-witted rhythm section-- drummer and fellow Israeli Ofri Nehemya and Peruvian bassist Jorge Roede--Maestro adds the equally impassioned ...
Continue ReadingShai Maestro: Human
by Chris May
After paying his dues with Avishai Cohen, with whose Trio he recorded four well received albums, pianist Shai Maestro cut loose on his own, debuting with Shai Maestro Trio (Laborie) in 2013. Human is Maestro's sixth own-name album and his second on ECM, followingThe Dream Thief in 2018. The new disc is elegant, expansive, emotionally charged and beautiful. It contains ten Maestro originals and one cover, a playful version Duke Ellington's “In A Sentimental Mood." This time ...
Continue ReadingRemy Le Boeuf's Assembly of Shadows: Assembly of Shadows
by Angelo Leonardi
Dopo aver debuttato in veste di leader nel 2019 con il ricercato album Light as a World (un sestetto con, tra gli altri, Aaron Parks e Walter Smith III) il 33enne sassofonista e compositore d'origini californiane, presenta un ambizioso progetto orchestrale comprendente la suite “Assembly of Shadows," un'altra sua composizione ("Strata") e una riscrittura di “Honeymooners" di Ornette Coleman. Prima di questi lavori ha condiviso la leadership del gruppo Le Boeuf Brothers col suo gemello Pascal. La ...
Continue ReadingPhilip Dizack: If Our Perspective Is Right Then We’re Always in Complete Humility
by Leo Sidran
Trumpeter Philip Dizack (named by Downbeat Magazine as “[one of twenty-five] Trumpet Players for the Future") on how he thinks about playing, teaching ("preparing for teaching is the most helpful thing that I've ever done for myself"), practicing ("the more specific your questions are, the more specific your answers will become"), potential ("I hear so far beyond what I'm capable of doing right now"), and perspective ("if our perspective is right then we're always in complete humility"). Plus, ...
Continue ReadingRemy Le Boeuf: Assembly Of Shadows
by Glenn Astarita
With his second date as a leader, multi-woodwind artist Remy Le Boeuf performs these largely self-penned comps with an orchestra, featuring notable musicians Anna Webber (woodwinds), Alex Goodman (guitar) and other jazz VIPs. Here, the leader's composing acuity brims with multicolored hues and harmonious arrangements, largely executed with a composite of modern jazz and classical inferences via gradual buildups, brash outbreaks and complex unison choruses that occasionally mimic single note bop lines. Sure enough, this young visionary's unflagging creative spirit ...
Continue ReadingRemy Le Boeuf: Assembly Of Shadows
by Dan McClenaghan
Remy Le Boeuf's Assembly Of Shadows, an ambitious jazz orchestra recording, opens with his original composition, the cinematic “Strata," followed by a majestic take on alto saxophonist Ornette Coleman's “Honeymooners," a tune from the free jazz pioneer's Virgin Beauty (Portrait Records, 1988). These sounds--collectively clocking in at fifteen and a half minutes--set the stage for the five-part “Assembly Of Shadows Suite." Saxophonist Le Bouef considered the voices in his orchestra for the purposes of highlighting the individual musical personalities, a ...
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