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Jazz Articles about Philip Dizack

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Liner Notes

Anthony Branker: What Place Can Be for Us? - A Suite in Ten Movements

Read "Anthony Branker: What Place Can Be for Us? - A Suite in Ten Movements" reviewed by Michael Ambrosino


Ma Rainey channeled music as her ritual of “singing to understand life." Congressman John Lewis leveraged music towards the “good trouble" he created fighting for civil rights in an uncivil land. Anthony Branker understands music as the calculus of his life's work—the art of weaving words and sound into transcendent tapestries that explore the rich, complex, and nuanced aspects of intolerance, beauty, prejudice, spirituality, gender, equality and social justice. The composite of this artistry exists within the remarkable ...

Album Review

Remy Le Boeuf's Assembly of Shadows: Architecture of Storms

Read "Architecture of Storms" reviewed by Angelo Leonardi


Remy Le Boeuf è uno dei nomi emergenti nell'ambito dell'arrangiamento e della conduzione orchestrale. Dopo il sorprendente Assembly of Shadows del 2019, il sassofonista e bandleader californiano (a New York dal 2004) torna con la sua orchestra irrobustita nel numero e nella qualità dei singoli componenti. Tra i nuovi ingressi troviamo in particolare il trombettista Mike Rodriguez e il sassofonista Dayna Stephens, che caratterizzano un paio di brani, anche se il lavoro di Le Boeuf è prettamente ...

14
Album Review

Shai Maestro: Human

Read "Human" reviewed by Mike Jurkovic


That pianist Shai Maestro dreams music is an understatement: With an intense romanticist's heart, he also plays in said dream state. And it is re-affirming to know that, after the hellish year the world has been dragged kicking through, that we can all dream too. Human dreams broadly with sunrises, sunsets and all the vulnerability in-between. Amid his steadfast and quick-witted rhythm section-- drummer and fellow Israeli Ofri Nehemya and Peruvian bassist Jorge Roede--Maestro adds the equally impassioned ...

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Album Review

Shai Maestro: Human

Read "Human" reviewed by Chris May


After paying his dues with Avishai Cohen, with whose Trio he recorded four well received albums, pianist Shai Maestro cut loose on his own, debuting with Shai Maestro Trio (Laborie) in 2013. Human is Maestro's sixth own-name album and his second on ECM, followingThe Dream Thief in 2018. The new disc is elegant, expansive, emotionally charged and beautiful. It contains ten Maestro originals and one cover, a playful version Duke Ellington's “In A Sentimental Mood." This time ...

Album Review

Remy Le Boeuf's Assembly of Shadows: Assembly of Shadows

Read "Assembly of Shadows" reviewed by Angelo Leonardi


Dopo aver debuttato in veste di leader nel 2019 con il ricercato album Light as a World (un sestetto con, tra gli altri, Aaron Parks e Walter Smith III) il 33enne sassofonista e compositore d'origini californiane, presenta un ambizioso progetto orchestrale comprendente la suite “Assembly of Shadows," un'altra sua composizione ("Strata") e una riscrittura di “Honeymooners" di Ornette Coleman. Prima di questi lavori ha condiviso la leadership del gruppo Le Boeuf Brothers col suo gemello Pascal. La ...

1
Radio & Podcasts

Philip Dizack: If Our Perspective Is Right Then We’re Always in Complete Humility

Read "Philip Dizack: If Our Perspective Is Right Then We’re Always in Complete Humility" reviewed by Leo Sidran


Trumpeter Philip Dizack (named by Downbeat Magazine as “[one of twenty-five] Trumpet Players for the Future") on how he thinks about playing, teaching ("preparing for teaching is the most helpful thing that I've ever done for myself"), practicing ("the more specific your questions are, the more specific your answers will become"), potential ("I hear so far beyond what I'm capable of doing right now"), and perspective ("if our perspective is right then we're always in complete humility"). Plus, ...

33
Album Review

Remy Le Boeuf: Assembly Of Shadows

Read "Assembly Of Shadows" reviewed by Glenn Astarita


With his second date as a leader, multi-woodwind artist Remy Le Boeuf performs these largely self-penned comps with an orchestra, featuring notable musicians Anna Webber (woodwinds), Alex Goodman (guitar) and other jazz VIPs. Here, the leader's composing acuity brims with multicolored hues and harmonious arrangements, largely executed with a composite of modern jazz and classical inferences via gradual buildups, brash outbreaks and complex unison choruses that occasionally mimic single note bop lines. Sure enough, this young visionary's unflagging creative spirit ...


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