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Jazz Articles about Orrin Evans
Brian Lynch: Songbook Vol. 1: Bus Stop Serenade
by Angelo Leonardi
Con Bus Stop Serenade Brian Lynch inaugura una serie di album che raccolgono il suo intero songbook, scritto in quarant'anni di carriera e disseminato in numerose incisioni. Da alcuni anni il trombettista ha varato una propria etichetta (la Hollistic MusicWorks) e iniziato a reinterpretare le sue vecchie composizioni: “Ho sentito che avrebbero beneficiato di un po' d'attenzione sotto forma di nuove versioni—ha detto—presentate ad ascoltatori contemporanei, che potrebbero non conoscere il mio lavoro precedente. Sono poi diventato un po' testardo ...
Continue ReadingJon Gordon: Stranger Than Fiction
by Angelo Leonardi
Più noto come eccellente sax contralto e leader di un apprezzato quartetto, Jon Gordon torna a incidere un disco orchestrale per la ArtistShare, dopo l'album Evolution del lontano 2009. Registrato nel mezzo della pandemia, con tutte le difficoltà e restrizioni che sappiamo, il nuovo lavoro rinnova la collaborazione col trombonista e arrangiatore Alan Ferber che partecipa al progetto nel triplice ruolo di co-produttore, arrangiatore di un brano ("Havens") e solista di trombone. Il medio organico include anche il clarinetto basso ...
Continue ReadingEmber with Orrin Evans: No One is Any One
by Paul Rauch
To truly be in the headspace to appreciate the music of Ember, an understanding of the individuals making up the collective is paramount. The original compositions are not mind boggling, complex exercises brandishing the challenging dynamics of jazz composition in the 2020s. Refreshingly, the writing is open ended, containing melodies that come across as recitable mantras. The individual approaches to modern melodic improvisation within the collective memory of the musicians so easily rise to the surface of No One is ...
Continue ReadingJon Gordon: Stranger Than Fiction
by Hrayr Attarian
Saxophonist Jon Gordon's superb 13th release as a leader, Stranger Than Fiction, consists of 10 cinematic and captivating originals. Gordon leads a large ensemble of mostly Canadian musicians through his vibrantly textured compositions. The focus is more on dynamic interplay of different band members and orchestral segments than on individual expressions. There are, however, brilliantly virtuosic soloists who seamlessly emerge out of these vividly ebullient works making them even more electrifyingly alive. Opening with delightfully dissonant staccato woodwinds ...
Continue ReadingJon Gordon: Stranger Than Fiction
by Jack Bowers
New York-bred alto saxophonist Jon Gordon has come a long way since he was hailed as something of a prodigy in the mid-1980s and earned first place in the Thelonious Monk International Jazz Saxophone Competition in 1996. The music performed by Gordon's nonet on Stranger Than Fiction, we are told, “reflects [his] realization that reality takes twists and turns [that are] far more unpredictable than any author would dare write." There are indeed many twists and turns—most ...
Continue ReadingOrrin Evans, Mulgrew Miller & Rebecca DuMaine
by Joe Dimino
From a dynamic voice in jazz we begin the 711th Episode of Neon Jazz in style. That was Rebecca DuMaine with the Dave Miller Trio with a cut off her 2021 release Someday, Someday. From there, we listen to a song off an album from Polish Composer Milosz Konarski with “Charlie Parker Plays Bossa Nova." The remainder of the show profiles some heavy cats making some quality music in 2021 like Andrew Van Tassel, Kalya Ramu, Ian Charleton and the ...
Continue ReadingOrrin Evans: The Magic of Now
by Mike Jurkovic
Timing is everything, the old masters teach. So pianist/composer/bandleader Orrin Evans drops the brazen The Magic of Now just in time. Just in time for the world to open up, renew its commitment, and move forward. Just in time for all to engage in those necessary conversations about civil upkeep. Put plainly, The Magic of Now is the music to lead the charge. A whirlwind of perpetual buoyancy and boundless risk aversion, the eight easeful dances defining The ...
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