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Jazz Articles about Naomi Moon Siegel
Naomi Moon Siegel: Jeannine's Joy
by Scott Lichtman
When is the last time you heard an enthralling, pulsing jazz feel generated by a trombone-led horn section, a talking drum, cowbell, synth, an ethereal/African electric guitar, violin and rhythm section? For trombonist, composer and band leader Naomi Moon Siegel, such a blend of modern swing and world music sub-genres is her modus operandi. Siegel's vibe can best be described as “fluid;" for example, she opens with a mellow horn cadence in the studio version of “Jeannine's Joy," but swaps ...
Continue ReadingNaomi Moon Siegel Opens Up and Evolves
by Lawrence Peryer
The music of trombonist Naomi Moon Siegel captures both urban energy and rural spaciousness. Her formative years in Seattle's experimental jazz scene included collaborations with, and mentorship from, Wayne Horvitz and Julian Julian Priester. In 2016, she moved to Missoula, Montana--a decision that transformed her musical perspective and became the foundation of her newest work. Siegel's third album, Shatter The Glass Sanctuary (Slow & Steady Records), chronicles this period of transformation. With Allison Miller guiding the recording as ...
Continue ReadingTake Five With Trombonist-Composer Naomi Moon Siegel
by AAJ Staff
An award-winning trombonist, improviser, composer and educator, Naomi Moon Siegel is committed to creating a positive, transformative music culture beyond conventional genre norms. She has been an innovative performer and recording artist since graduating from Oberlin Conservatory in 2006. Siegel kicked off her professional career on the West Coast in Oakland, California, and came of age as a composer and bandleader in Seattle's thriving improv scene. Siegel is a staunch advocate for intersectional gender justice in jazz and music settings, ...
Continue ReadingMeet Naomi Moon Siegel
by Cheryl K.
In this hour, an interview with composer-trombonist Naomi Moon Siegel. Currently living in Montana, Siegel's upcoming album is titled Shatter the Glass Sanctuary on Slow & Steady Records. It's due out on November 8, 2024. Playlist Kevin Sun “Outlawry" from Quartets (Endectomorph Music) 6:32 Matt Panayides “Ju Ju" from With Eyes Closed (Pacific Coast Jazz) 6:49 Naomi Moon Siegel “Sabotage" from Shatter the Glass Sanctuary (Slow & Steady) 5:09 Naomi Moon Siegel “I. Holding All the Broken Pieces" ...
Continue ReadingNaomi Moon Siegel: Live at Earshot
by Paul Rauch
Trombonist and composer Naomi Moon Siegel burst onto the national scene through eight formative and enlightening years in Seattle. Steeped in the explorative jazz and improvised music scene there, she discovered her unique voice playing in projects such as Wayne Horvitz's Royal Room Collective Music Ensemble, and the folk/jazz duo Syrinx Effect with saxophonist Kate Olson. In 2016 she released her debut album Shoebox View (self produced, 2016), showcasing her compositional talents as well as a trombone style ...
Continue ReadingNaomi Moon Siegel: Shoebox View
by Karl Ackermann
Seattle-based composer/trombonist Naomi Moon Siegel, is a member of Wayne Horvitz's Royal Room Collective Music Ensemble and has performed with fellow trombonists Julian Priester and Wycliffe Gordon, among others, while maintaining a steady presence in the Northwest music scene. Not so coincidentally, Horvitz' appearance on five of the ten tracks recalls some of the pianist's pastoral tone on Some Places Are Forever Afternoon (Songlines Recordings, 2015).Produced on Siegel's own Break Open Records label, the original compositions on Shoebox ...
Continue ReadingNaomi Moon Siegel: Shoebox View
by Dan McClenaghan
Trombonist Naomi Moon Siegel represents the new breed of jazz artists, the ones who have to make it all happen themselves. In lieu of an established record label, the words “Self Produced" say it all. And while the ability and relative affordability of putting out a CD that is self funded--or fan direct funded--certainly eliminates a necessary culling process of artists who aren't quite ready to make this jump, Shoebox View, Siegel's marvelous debut, is one that the record companies ...
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