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Jazz Articles about Michael Dessen

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Album Review

Michael Dessen: Somewhere In The Upstream

Read "Somewhere In The Upstream" reviewed by Giuseppe Segala


L'organico di trio con trombone, contrabbasso e batteria non è particolarmente diffuso, ma può annoverare tra gli esempi più significativi la lunga, formidabile esperienza di Bass Drum Bone, in cui Ray Anderson, Mark Helias e Gerry Hemingway hanno scandagliato modalità espressive e dialogiche ad ampio raggio. Il trio guidato dal trombonista e sperimentatore di suoni Michael Dessen si inserisce con profitto su quella traccia, vista la vitalità e la già discreta longevità, con il primo dei quattro CD pubblicati dall'etichetta ...

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Album Review

Michael Dessen Trio: Somewhere In The Upstream

Read "Somewhere In The Upstream" reviewed by Glenn Astarita


Ace trombonist Michael Dessen is an imaginative technologist when incorporating artistically focused computer-generated sounds into his works as he once again disavows the tried and true with this all-star rhythm section. Complete with unorthodox flows and changeable rhythmic progressions, Dessen's zany and otherworldly live electronics permutations, along with some cosmic interference, offers an extra layer of excitement and curiousity. Essentially, the trio adds a phantasmagoric nuance to various movements throughout this program dedicated to the memory of jazz great, Yusef ...

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Album Review

Michael Dessen Trio: Resonating Abstractions

Read "Resonating Abstractions" reviewed by Robert Bush


Michael Dessen is a slide-trombone virtuoso and computer musician of the highest order, and the music his trio crafts on Resonating Abstractions showcases his work as a composer in compelling fashion. Key to this success are the contributions from singular double-bassist Chris Tordini and the multi-rhythmic drums of Dan Weiss. Together they realize and expand the structures of Dessen's vision, aided by the live-sampled or algorithmic electronics on roughly half the tracks. “Grid After Grid," opens ...

Album Review

Mark Dresser Quintet: Nourishments

Read "Nourishments" reviewed by AAJ Italy Staff


C'è il sax alto di Rudresh Mahanthappa a dettar legge nel brano che apre questo nuovo album del sessantunenne (il 26 settembre: auguri) bassista losangelino, per l'occasione alla testa di un quintetto ottimamente coeso entro cui si alternano due diversi batteristi. Ed è, quella di Mahanthappa, una voce iperaffermativa, viscerale, le cui scorribande solistiche (ma anche l'incidenza nei collettivi) segna massicciamente il lavoro, fino a farlo pendere qua e là fin troppo dalla sua parte. Il tratto è ora più ...

Album Review

Michael Dessen Trio: Forget the Pixel

Read "Forget the Pixel" reviewed by AAJ Italy Staff


I brani sono sette ma l'ora di musica contenuta in Forget the Pixel (bel titolo preso dalla prima riga del poema di Phillis Levin “Open Field") può essere vista come un'unica suite, concepita già all'origine per una esibizione senza interruzioni del trio. Il trio, per l'appunto, ma dovremmo parlare di quartetto perché l'elettronica utilizzata dal leader, il trombonista Michael Dessen, è a tutti gli effetti il quarto strumento utilizzato per la registrazione. Già da diversi anni studioso degli sviluppi nell'uso ...

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Album Review

Michael Dessen Trio: Forget The Pixel

Read "Forget The Pixel" reviewed by Robert Bush


Trombonist Michael Dessen once studied with George Lewis, hung with Ray Anderson, and has ascended to their level on the creative improvising scene. Dessen has his own distinct style, one that values nuanced gestures as highly as it does exuberance; therefore his music creates a micro world of detail and organically developed themes. The music for this album was actualized over the course of a year of experimentation. Dessen's trio-mates live in NYC, and he would visit ...

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Album Review

Michael Dessen Trio: Forget The Pixel

Read "Forget The Pixel" reviewed by Glenn Astarita


This jazz trio, manned by Southern California-based slide trombonist Michael Dessen, sports a full-sized sound and abides by a rather springy group-centric mode of attack. Dessen's solo work, co-leader outings, and stints with major progressive-jazz artists complement his educational duties at the University of California, Irvine. The trombonist parlays a worldly and comprehensive stance on Forget The Pixel, where the musicians share equal footing amid rousing passages, bustling rhythms, and the leader's bizarre, yet sagacious electronics overlays. The ...


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