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Jazz Articles about Michael Dessen

Album Review

Jason Robinson: Ancestral Numbers

Read "Ancestral Numbers" reviewed by Vincenzo Roggero


Unica seduta di registrazione dal 23 al 25 agosto 2023, due CD, Ancestral Numbers I e Ancestral Numbers II, usciti a qualche mese di distanza, stessa fonte di ispirazione--il ricordo della nonna materna e la sua influenza nella famiglia--stessa ricerca di relazioni tra numeri, genealogie e storie dettate dallo scorrere del tempo. È questa la prima parte di un progetto musicale pensato da Jason Robinson nel quale una serie di composizioni sarà pensata per appositi organici strumentali. Sassofonista e flautista ...

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Album Review

Jason Robinson: Ancestral Numbers II

Read "Ancestral Numbers II" reviewed by Pat Youngspiel


Jason Robinson's Ancestral Numbers is “a sound meditation on genealogy and family history" and will comprise an “ongoing series of compositions for varying instrumentation." “I" and “II" are merely the starting point for an intimate investigation into the depths of the saxophonist's family tree, set in motion shortly after the passing of Robinson's grandmother. Accompanying the saxophonist/composer on this personal endeavour is a cast of top-drawer players, including Drew Gress on bass, Michael Dessen on trombone, pianist Joshua White and ...

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Album Review

Jason Robinson: Ancestral Numbers II

Read "Ancestral Numbers II" reviewed by Terence Collie


Ancestral Numbers II is saxophonist, flautist and composer Jason Robinson's second album of music reflecting on his ancestry, following the May 2024 release of Ancestral Numbers I. The album launches with “Sweet Tooth," a simple but compelling composition that starts with a vamp. Opening melodic statements--with saxophone and trombone playing together over infectious piano and bass hits propelled by the energetic drums--then move into a hard swinging walking bass section. Pianist Joshua White takes the first solo, followed ...

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Album Review

Jason Robinson: Ancestral Numbers I

Read "Ancestral Numbers I" reviewed by Glenn Astarita


Ancestral Numbers I by Jason Robinson is a jazz album that feels like a deep, reflective conversation with history itself. With his saxophone, Robinson pays homage to the jazz tradition and his family heritage, crafting a sound that's both personal and expansive. The journey begins with “Second House," where the all-star ensemble, featuring pianist Josh White peppering the hornists, lays down a groove that's as profound as it is inviting. The track quickly establishes a soulful theme, with ...

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Album Review

Warriors of the Wonderful Sound: Soundpath

Read "Soundpath" reviewed by Mark Corroto


If we alter President John F. Kennedy's 1962 moon spaceflight speech just a bit, it easily fits the big band adaptation of Muhal Richard Abrams' magnum opus Soundpath, “We choose to perform this composition not because it is easy, but because it is hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept." Accepting the challenge was band leader Bobby Zankel and ...

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Album Review

Warriors of the Wonderful Sound: Soundpath

Read "Soundpath" reviewed by Giuseppe Segala


Nel 2011 il sassofonista di Filadelfia Bobby Zankel, leader della big band The Warriors of the Wonderful Sound e promotore di laboratori di musica contemporanea, propose a Muhal Richard Abrams un lavoro compositivo che avrebbe dovuto essere affidato alla band, con la direzione dello stesso pianista. Operazioni di questo tipo erano già state realizzate da Zankel negli anni precedenti con le musiche per big band di Julius Hemphill, dirette da Marty Ehrlich, poi con composizioni di Rudresh Mahanthappa e Steve ...

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Extended Analysis

Soundpath

Read "Soundpath" reviewed by Victor L. Schermer


Muhal Richard Abrams (1930-2017) was a revered pianist, composer and teacher of great capability and range who, in addition to his own achievements, inspired and influenced many jazz musicians in both the mainstream and avant-garde categories. Largely self-taught as a result of a personal decision to follow his own path, and early on pursuing church music, big band, blues, bebop and avant-garde jazz in his home city of Chicago, he grasped music from its roots, and so was able to ...


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