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Jazz Articles about Michael Attias

7
Album Review

Michael Attias: Quartet Music Vol I: LuMiSong & Vol II: Kardamon Fall

Read "Quartet Music Vol I: LuMiSong & Vol II: Kardamon Fall" reviewed by John Sharpe


Saxophonist Michaël Attias has impressed on the NYC scene for over three decades. He has recorded with Paul Motian, Anthony Braxton and Taylor Ho Bynum, while artists like Eric Revis, Anthony Coleman and Kris Davis have covered his compositions. But despite such recognition, Attias's discography undeservedly languishes in single figures. His decision to issue two volumes of quartet music, Lumisong and Kardamon Fall, available separately or together in a single package, represents the next step in his evolution ...

6
Album Review

Fay Victor / Herbie Nichols SUNG: Life Is Funny That Way

Read "Life Is Funny That Way" reviewed by Jerome Wilson


The jazz world overlooked pianist and composer Herbie Nichols in his lifetime, but musicians such as Roswell Rudd, Misha Mengelberg, and Ted Nash have tried to keep his music in circulation over the years in various projects. Vocalist Fay Victor has been entranced by his music for a long time, and in 2013, she put together a group, Herbie Nichols SUNG, to perform his tunes. This is that group's first recording together and it is excellent. In most ...

2
Album Review

Nataniel Edelman Trio: Un Ruido De Agua

Read "Un Ruido De Agua" reviewed by John Sharpe


Born in Buenos Aires in 1991, Argentinean pianist Nataniel Edelman first met bassist Michael Formanek and saxophonist Michaël Attias when studying in New York City. He maintained the ties and the outcome was the three sessions under Edelman's leadership in a Berlin studio in 2022 which resulted in Un Ruido De Agua. It is not the first time he has recorded with the reedman, as Attias joined Edelman for a tour in his homeland in 2021, where the pianist, an ...

Album Review

The Angelica Sanchez Nonet: Nighttime Creatures

Read "Nighttime Creatures" reviewed by Angelo Leonardi


Pubblicato dalla Pyroclastic Records, Nighttime Creatures è il magistrale debutto del nonet della pianista Angelica Sanchez, organico che riunisce alcuni protagonisti della scene musicali di New York, Los Angeles e San Francisco: i sassofonisti Chris Speed e Michael Attias, il clarinettista Ben Goldberg, il cornettista Kenny Warren, il trombettista Thomas Heberer, il chitarrista Omar Tamez, il contrabbassista John Hébert e il batterista Sam Ospovat. Trasferitasi nel 1994 a New York da Phoenix (Arizona), Angelica è parte dell'Exploding ...

Album Review

Michaël Attias, Simon Nabatov: Brooklyn Mischiefs

Read "Brooklyn Mischiefs" reviewed by Neri Pollastri


Registrato all'iBeam di Brooklyn il 6 luglio del 2014 e riemerso dagli archivi nel corso della pandemia, questo album documenta una fortunata serata di improvvisazione tra il pianista di origini moscovite Simon Nabatov e il sassofonista contralto israeliano Michaël Attias, un “primo incontro" tra due artisti usi a muoversi su territori accidentati e inesplorati. I cinquantatrè minuti di musica sono suddivisi in cinque tracce, tutte improvvisate a eccezione della terza, che include un'escursione in “The Spinning Song" di ...

4
Album Review

Shawn Lovato: Microcosms

Read "Microcosms" reviewed by Troy Dostert


Bassist Shawn Lovato's debut album, Cycles of Animation (Skirl, 2017), possessed a conceptual sophistication that went far beyond an imaginative slice of creative jazz. The same is evident on Microcosms, an album that involves giving his terrific ensemble the chance to develop minute gestures into larger, more determinate shapes. The constant ebb and flow that results is compelling, with a sense of order that periodically takes hold amidst the individual members' freedom to find their own pathways to a common ...

Album Review

Sebastien Ammann's Color Wheel: Resilience

Read "Resilience" reviewed by Alberto Bazzurro


Lo svizzero Sebastien Ammann, di professione pianista e compositore, guida in questo elegante, solido album un quintetto dalle geometrie ben definite e dai percorsi espressivo-espositivi conseguenti. Magari non vi si respirerà tutta l'originalità di questa terra, ma il lavoro d'insieme (soprattutto) è ottimamente congegnato e condotto, e sul piano solistico tutto procede analogamente, col trombone di Samuel Blaser una spanna sopra gli altri (peraltro sempre all'altezza della situazione). Subito l'iniziale “Yayoi" ci introduce eloquentemente entro i meandri ...


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