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Tyshawn Sorey: Members... Don't!
by Angelo Leonardi
La statura artistica di Tyshawn Sorey non s'evidenzia solo strumentalmente, con i leader più innovativi del jazz contemporaneo. Da oltre un decennio il batterista mostra nei suoi organici alte doti progettuali, interpretando in modo personale anche composizioni di altri autori. Accade anche nel recente The Susceptible Now (Pi Recordings, 2024) dove dilata e riformula in trio Peresina" di McCoy Tyner e la mingusiana A Chair in the Sky." Quando nel 2024 gli è stato commissionato dal Winter Jazzfest ...
Continue Reading...Tyshawn Sorey: Members... Don't!
by Troy Dostert
One of the most welcome developments in twenty-first century jazz has been drummer Tyshawn Sorey's enthusiastic turn toward the jazz canon. While he had already established himself convincingly as one of the premier figures in creative music on immersive, challenging works such as The Inner Spectrum of Variables (Pi Recordings, 2016) and Verisimilitude (Pi Recordings, 2017), when Sorey decided to begin his idiosyncratic interrogations of classic jazz repertoire it opened up new facets of his musical identity, especially as an ...
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Jon Irabagon: Focus Out
by Vincenzo Roggero
Focus Out è la seconda uscita discografica di Rising Sun, ennesima formazione partorita dalla mente vulcanica del sassofonista Jon Irabagon, da diversi anni figura centrale nella scena più vivace, creativa e imprevedibile del jazz statunitense. Un quartetto acustico/elettrico con i fiocchi che si avvale dell'apporto di musicisti altrettanto creativi e già coinvolti in passati progetti del sassofonista di origini filippine. Come la maggior parte delle incisioni di Irabagon, Focus Out sorprende per la sua organicità a dispetto della varietà di ...
Continue Reading...Tyshawn Sorey: Members... Don't!
by Mike Jurkovic
Pulitzer Prize-winning, MacArthur Fellow Dr. Tyshawn Sorey may not remember 1968 directly, since he was born in 1980, but he most certainly and unapologetically understands how angry that year was. And he has captured that fiery time with an epic reimagining? rethinking? rebooting? double take of Max Roach's epic telling of that year after the Summer of Love, Members, Don't Git Weary (Atlantic, 1968) Recorded live at the tail end of a four-day stay at the Jazz Gallery ...
Continue Reading...Jon Irabagon: Focus Out
by Glenn Astarita
Jon Irabagon remains among the most uncompromising voices in contemporary jazz. A first-generation Filipino American from Chicago, he draws deeply from the AACM legacy--Anthony Braxton, Henry Threadgill, Muhal Richard Abrams--and his home city's tradition of bold, searching saxophone work. Since his 2008 Thelonious Monk International Saxophone Competition win, Irabagon has used his Irabbagast Records imprint to sustain a commitment to fierce originality and collective dialogue. Focus Out serves as a formidable statement from his working quartet, featuring Irabagon ...
Continue Reading...Patricia Brennan: Breaking Stretch
by Dan McClenaghan
On her first two albums, vibraphonist Patricia Brennan worked with a quartet comprised of three percussion instruments, herself on vibes and marimba, joined by percussionist Mauricio Herrera and drummer Marcus Gilmore, with a bassist Kim Cass. Momentum in large part, is the name of the game. For Breaking Stretch she expands her musical universe, adding trumpeter Adam O'Farrill and saxophonists Mark Shim and Jon Irabagon. This proved a good move; her musical universe in this septet setting has an energy ...
Continue Reading...Patricia Brennan: Breaking Stretch
by Mike Jurkovic
Wild-willed vibraphonist Patricia Brennan gets straight down to business without any fanciful mission declaration with the Afro-Cuban, effusively powered, clear-the-dancefloor and blow-the-ceiling-off this joint Los Otros Yo (The Other Selves)," the opening cut of her third album Breaking Stretch. She does so in a captivatingly, wickedly good way. Brennan--who has added much vitality to music by such other big thinkers as Vijay Iyer, Mary Halvorson, Anna Webber, Michael Formanek--began her musical education at 4 years old listening to ...
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