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31

Album Review

Christopher Zuar Orchestra: Exuberance

Read "Exuberance" reviewed by Jack Bowers

by Jack Bowers

Composer/arranger Christopher Zuar's second album, Exuberance, recounts in musical terms a twisting yet picturesque journey that began seven years earlier, in 2017, when Zuar first met his now-wife, the animator Anne Beal, at MacDowell, the famed artists' residency in New Hampshire. While the relationship “blooms" in winter, there are “moments between" and other inescapable detours until “certainty" erases any lingering doubts, “exuberance" carries the day and Zuar and Beal are united as one. Yes, the music is ...

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3

Album Review

Mike Holober & the Gotham City Orchestra: This Rock We're On: Imaginary Letters

Read "This Rock We're On: Imaginary Letters" reviewed by Angelo Leonardi

by Angelo Leonardi

Dopo gli ultimi superlativi album orchestrali (Balancing Act, Palmetto 2015 e Hiding Out, Zoho 2019) la nuova incisione di Mike Holober con la Gotham Jazz Orchestra non dovrebbe stupirci, eppure questo doppio album ci ha nuovamente colpito. L'aggiunta di Chris Potter, John Patitucci, Nir Felder e della cantante brasiliana Jamile Staevie Ayres all'orchestra rende infatti il progetto quanto mai esaltante. Questi nomi completano un organico già nutrito di solisti ragguardevoli come Marvin Stamm e Scott Wendholt alle trombe, ...

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12

Album Review

Mike Holober: This Rock We're On: Imaginary Letters

Read "This Rock We're On: Imaginary Letters" reviewed by Dan McClenaghan

by Dan McClenaghan

We live on a rock. A few billion years of the workings of the complexities of carbon chemistry put us here. The systems and intricacies of every element that has unfolded to maintain us should be respected and preserved. Mike Holober's This Rock We're On: Imaginary Letters, featuring Holober and his Gotham Jazz Orchestra, digs into this theme in a sprawling, two-disc big band jazz outing. Like life itself, and the resulting ecosystems, this multi-movement suite--an effort that is the ...

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14

Album Review

Christopher Zuar Orchestra: Exuberance

Read "Exuberance" reviewed by Katchie Cartwright

by Katchie Cartwright

Exuberance is part of a “long-form tonal conversation" between composer Christopher Zuar and animator Anne Beal. Zuar, a Long Island New Yorker, describes the work as “a journey of personal growth," which began in 2017 when he and Beal met as fellows at the MacDowell Colony in the woods of New Hampshire. He explains that the album is a “collaborative project that charts the last seven years of our lives." “In Winter Blooms," the opening track, grew out ...

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28

Album Review

Joe McCarthy's New York Afro Bop Alliance Big Band: The Pan American Nutcracker Suite

Read "The Pan American Nutcracker Suite" reviewed by Jack Bowers

by Jack Bowers

Yes, Peter Tchaikovsky's timeless Nutcracker Suite is basically holiday music; and, yes, the 2022 holiday season is squarely in everyone's rear-view mirror. Even so, there is always room for a fresh approach to the annual festive staple, which is what drummer Joe McCarthy's New York Afro Bop Alliance Big Band brings to The Pan American Nutcracker Suite. The Nutcracker has been rhythmically amended before, but never quite like this, as McCarthy and the band use the strong ...

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9

Album Review

Joe McCarthy's Afro Bop Alliance Big Band: The Pan American Nutcracker Suite

Read "The Pan American Nutcracker Suite" reviewed by Richard J Salvucci

by Richard J Salvucci

"The Nutcracker" is a holiday staple and, as many musical and dance companies around the United States and Europe will tell you, thank Heaven for it. The musicians and performers may eventually lose their sanity from repeat performances, but the ballet is a money-maker as sure as holiday sales generate commercial profits for retailers. Besides, someone is inevitably hearing it for the first time, and children--even some adults--seem to enjoy it. This year, the season starts early with ...

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34

Album Review

Mike Holober & Balancing Act: Don't Let Go

Read "Don't Let Go" reviewed by Jack Bowers

by Jack Bowers

With Don't Let Go, pianist Mike Holober and the octet Balancing Act seemed to have found an ideal way to cross-breed classical motifs and contemporary jazz to produce a pleasurable listening experience. Then he added lyrics. Granted, not all lyrics are superfluous—even those that are either nebulous or indecipherable, as is too often the case here. It's simply that some listeners may be more receptive to an alternative in the form of, say, Marvin Stamm's trumpet, Dick Oatts' or Jason ...

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