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Jazz Articles about Linley Hamilton

6
Live Review

Amethyst at McHughs, Belfast

Read "Amethyst at McHughs, Belfast" reviewed by Ian Patterson


Amethyst McHughs Belfast, N. Ireland August 10, 2016 With an increasing number of talented Northern Irish jazz musicians recording and gigging both home and abroad, jazz is this corner of the world seems to be in fairly robust health. Add to that Belfast's own jazz festival of international standing, Brilliant Corners- -making waves since 2013--and there's plenty to be excited about. Amethyst, a straight-ahead quintet featuring local and foreign-based musicians, is the latest group ...

6
Live Review

Linley Hamilton Quintet at Black Box

Read "Linley Hamilton Quintet at Black Box" reviewed by Ian Patterson


Linley Hamilton Quintet Black Box Belfast, Ireland March 13, 2015 Since the launch of In Transition (Lyte Records, 2014) at the Brilliant Corners festival last March, the Linley Hamilton Quintet has gigged only sporadically. With members split between Dublin, Port Laoise and Belfast, geography plays its part to a degree. However, there are numerous strings that pull these professional jazz musicians this way and that, from studying and teaching commitments to radio shows and numerous ...

14
Interview

Linley Hamilton: Right On The Wavelength

Read "Linley Hamilton: Right On The Wavelength" reviewed by Ian Patterson


Trumpeter Linley Hamilton has been a mainstay of the Northern Irish jazz scene for well over two decades. An in-demand session musician, Hamilton has played on over a hundred recordings of various stripes, lending his burnished tone to rock and pop artists and singer-songwriters alike. But it's as a jazz musician, jazz educator, jazz radio broadcaster, and not least, as an utterly tireless advocate of the music that he's best known. With a quintet comprised of some of ...

6
Album Review

Linley Hamilton: In Transition

Read "In Transition" reviewed by Ian Patterson


The title of trumpeter Linley Hamilton's second release for Northern Irish label Lyte Records tells a tale; in the three years since Taylor Made (Lyte Records, 2011) Hamilton has dug deep into the essence of his playing, refining his compositional approach and instilling a greater economy of notes in his playing. His is a discipline that owes more to the modern European tradition exemplified by Till Bronner and Mathias Eick than the beboppers that first inspired Hamilton on his journey. ...

5
Live Review

Brilliant Corners 2014

Read "Brilliant Corners 2014" reviewed by Ian Patterson


Brilliant Corners Various Venues Belfast N. Ireland March 26-29, 2014 It's taken a while, but Belfast has finally joined the ranks of cities that play host to an international jazz festival. The first edition of Brilliant Corners was staged in the rejuvenated Cathedral Quarter of the city in 2013 and such was the response of the public, musicans and media that Brian Carson, founder of Northern Ireland's premier music promotions company Moving On ...

150
Album Review

Linley Hamilton: Taylor Made

Read "Taylor Made" reviewed by Dan Bilawsky


It's rare that an artist names an album after one of his sidemen, but Belfast-based trumpeter Linley Hamilton clearly values the contributions that pianist Johnny Taylor made to this recording. Both men share a vision, regarding the manner in which they should address traditions while also putting their own stamp on these well-known numbers, and their empathetic rapport is evident from the very start. Linley's horn coasts over Taylor's tremolo licks on the loose introduction of the ...

273
Album Review

Linley Hamilton: Taylor Made

Read "Taylor Made" reviewed by Bruce Lindsay


Trumpeter Linley Hamilton is a central figure in the burgeoning Northern Ireland jazz scene. He's an experienced musician, with a résumé that includes work with Van Morrison, Ken Peplowski and Jean Toussaint; being a broadcaster, whose Radio Ulster After Midnight program showcases new jazz; a writer and producer. Above all, he's a man with a genuine love of jazz and a desire to support and develop the music. It takes no more than a few bars of “Without A Song," ...


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