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Art Blakey & The Jazz Messengers: First Flight to Tokyo: The Lost 1961 Recordings
by Mike Jurkovic
Perhaps Art Blakey's greatest gift was that he was able to—and also enabled you—to transport through time to when invention was new and not reheated, rebranded, or far worse, rejected out of hand. Just take his opening solo on the Charlie Parker-penned opener “Now's the Time" from the absolutely ribald and raucous First Flight To Tokyo: The Lost 1961 Recordings and get a riotous earful for yourself. Blakey bops, pops, and booms and you're there in the room in Tokyo, ...
Continue ReadingArt Blakey & The Jazz Messengers: First Flight to Tokyo: The Lost 1961 Recordings
by Chris May
There is a saying in the opera world which, though innocuous on the face of it, damns a work before the overture has begun let alone after the fat lady sings. The saying, beloved of breathless publicists deaf to its implication, is that such and such an opera is “rarely performed." The reason it is rarely performed, of course, is because nine times out of ten it is a dud. When it comes to jazz albums the parallel ...
Continue ReadingLee Morgan: The Complete Live at the Lighthouse
by Mike Jurkovic
Suffice to say that if Blue Note's original Live at The Lighthouse (1970) lit a fire under you and all the subsequent expanded iterations did nothing to douse said flames, this definitive final word on a very good thing is going to grab your attention fast and hold it hard. Fourteen previously unreleased whirlwind turns around the bandstand complete the picture painted that July weekend in California when trumpeter supreme Lee Morgan and his pirate quintet—Bennie Maupin on ...
Continue Reading50th Anniversary Blue Notes For July
by Marc Cohn
First show of the month, you know that means: Blue Note 50th anniversaries! This month, Bobby Hutcherson and Harold Land (San Francisco), Lee Morgan (celebrating his July birthday at the Lighthouse), McCoy Tyner (Cosmos via Asante), and Elvin Jones (Coalition). We've also got the 78s of BN-24 from James P. Johnson, as well as Clifford Brown and Jimmy Smith (recorded on July 4, 1957). There's also the Thinking of Home session by Hank Mobley, but that will have to wait ...
Continue ReadingArt Blakey & The Jazz Messengers: Just Coolin'
by Mike Jurkovic
Great moments play all over Just Coolin', the new archival Blue Note Art Blakey release from 1959, recorded at Rudy Van Gelder's studio with Lee Morgan, Bobby Timmons and Jymie Merritt. For a bit of history, let's just point out that Hank Mobley was returning to the tenor chair he held from 1951-56, but which had just recently (for back then) been occupied by Shorter, and before him Benny Golson. Not the slightest expectation here. And should there have been ...
Continue ReadingArt Blakey & The Jazz Messengers: Just Coolin'
by Chris May
It is a truth universally acknowledged, that a man or woman in possession of a good quantity of Art Blakey albums, must be in want of a lot more. Previously unreleased albums are particularly enticing. So do not be fooled by the Reid Miles-inspired cover of Just Coolin': the disc is previously unissued. It presents Blakey in his pomp fronting a dream-team Jazz Messengers lineup. AAJers do not need to be reminded that Blakey was at the ...
Continue ReadingTina Brooks Quintet: The Complete Recordings
by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own name. But like Mobley, Brooks had an instantly recognisable sound, was a spellbinding soloist and was also a gifted composer. In addition to his ...
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