Jazz Articles about Ken Peplowski

About Ken Peplowski

Album Review

David Larsen: The Peplowski Project

Read "The Peplowski Project" reviewed by Jack Bowers

by Jack Bowers
April 23, 2023

The Peplowski Project was a labor of love for saxophonist David Larsen, a longtime admirer of fellow reedman Ken Peplowski who sits in with Larsen's impressive quartet on each of the album's eleven numbers, playing clarinet on six, tenor saxophone on five. As for Larsen, he plays his Gerry Mulligan-flavored baritone sax on five of the session's first six numbers, then sets it aside in favor of the alto (on Al Cohn's “Jazz Line Blues"), tenor or ...

Album Review

Susie Meissner: I Wish I Knew

Read "I Wish I Knew" reviewed by Jack Bowers

by Jack Bowers
October 3, 2020

I wish I knew why the talented Philadelphia-based singer Susie Meissner chose to open her salute to the Great American Songbook with the only tune on the album that doesn't really qualify: Curtis Lewis' “The Great City." It's not a bad song but Cole Porter or Johnny Mandel it ain't. On the bright side, Meissner recovers quickly on the fourth album under her name with a burnished rendition of the title theme, a memorable composition by the legendary Hollywood songwriting ...

Album Review

Susie Meissner: I Wish I Knew

Read "I Wish I Knew" reviewed by C. Michael Bailey

by C. Michael Bailey
September 8, 2020

Over the past decade and three previous recordings, Philadelphia-based vocalist Susie Meissner has crafted an intelligently conceived and thoughtfully paced survey of the Great American Songbook. Meissner's considerations of the standard jazz repertoire, in concert with pianist John Shaddy's sturdy arrangements and educated performance manner, have emerged, evolving from chaste and reverent beginnings, into rich and supple layerings of stylistic and technical outreach with each subsequent recording. Meissner's debut, I'll Remember April (Lydian Jazz, 2009), emerged as a ...

Album Review

Susie Meissner: Tea for Two

Read "Tea for Two" reviewed by C. Michael Bailey

by C. Michael Bailey
September 3, 2020

Natural but determined evolution makes for well conceived and produced projects. Vocalist Susie Meissner has proved this statement as she progressed from her debut recording I'll Remember April (Lydian Jazz, 2009), through her sophomore effort, I'm Confessin' (Lydian Jazz, 2011) to the present Tea for Two. Using a well-worn repertoire, Meissner, mostly with the support of pianist John Shaddy and his regular rhythm section (bassist Lee Smith and drummer Dan Monaghan), has steadily moved from solid, if not predictable, arrangements ...

Album Review

The DIVA Jazz Orchestra: DIVA + The Boys

Read "DIVA + The Boys" reviewed by Dan Bilawsky

by Dan Bilawsky
February 18, 2020

The all-female DIVA Jazz Orchesta has a boy-meets-girls story threaded into its origin, as drummer Stanley Kay served as the impetus behind the group's formation. Therefore, it's only fitting that the ladies have a few gentleman over to join them for some high times in the music every now and then. This eight-song set, recorded live at Pittsburgh's Manchester Craftsmen's Guild in March of 2017, finds clarinetist Ken Peplowski, dearly departed trumpeter Claudio Roditi, trombonist Jay Ashby, and ...

Album Review

The DIVA Jazz Orchestra: DIVA + the Boys

Read "DIVA + the Boys" reviewed by Jack Bowers

by Jack Bowers
February 11, 2020

After more than twenty-five years as one of the world's most renowned big bands, drummer Sherrie Maricle's superlative all-female DIVA Jazz Orchestra invited a quartet of “the boys" onboard to help ensure the ensemble's twelfth album's success. Even though DIVA needs no consorts to affirm its unremitting mastery, it is nonetheless pleasurable to witness these talented women sharing the stage and blowing up a storm with such esteemed guest artists as clarinetist Ken Peplowski, trombonist Jay Ashby and (it hurts ...

Album Review

The Ken Peplowski Big Band: Sunrise

by Jack Bowers
April 29, 2018

Many contemporary big bands are all about “breaking new ground" and “exploring new pathways." Not this one. Ace clarinetist Ken Peplowski, who has performed and recorded with myriad large ensembles, at home and abroad, but has seldom led one--although he did record one other big-band album, Last Swing of the Century (Concord Jazz, 1999)--simply wants to make beautiful music, a goal he and his hand-picked corps of merry men (and one woman) easily reach on Sunrise, as they glide smoothly ...