Home » Jazz Articles » Joshua Breakstone
Jazz Articles about Joshua Breakstone
About Joshua Breakstone
The Joshua Breakstone Quartet: Wonderful!
by Pierre Giroux
Joshua Breakstone's Wonderful! arrives on CD nearly four decades after its original release. It is a reminder that truly good jazz never worries about expiration dates. Although the original recording came early in his career, Breakstone hardly sounds like a guitarist searching for his voice. The ideas are already in place. Thoughtful, swinging, and melodic, the music is delivered with the quiet confidence of someone who understands that understatement can be as compelling as fireworks. The company Breakstone ...
Continue Reading...The Joshua Breakstone Quartet: Wonderful!
by Neil Duggan
This is a reissue of Joshua Breakstone's debut as leader. The recording, which has been out of print for nearly 40 years, dates back to 1984, when the guitarist was 27 years old. It also marks the first time the recording has been available on CD. While many guitarists of a similar vintage built success by forging ahead in jazz-rock, Breakstone followed a more time-honored path, following the trail of Kenny Burrell, Grant Green and Wes Montgomery. He ...
Continue Reading...The Joshua Breakstone Trio: Children of Art: A Tribute to Art Blakey’s Jazz Messengers
by Mark Sullivan
When last heard from, guitarist Joshua Breakstone was exploring the music of legendary jazz pianists with his Cello Quartet on 88 (Capri Records, 2016). On this album he is joined by double bassist Martin Wind (whose credits include several recordings with drummer Matt Wilson as well as dates as leader) and drummer Eliot Zigmund (who is known for his tenure with pianist Bill Evans, among others, plus his own albums) for a conventional guitar trio. But the repertoire is anything ...
Continue Reading...Joshua Breakstone/The Cello Quartet: 88
by Mark Sullivan
Veteran guitarist Joshua Breakstone pays tribute to some of his favorite pianist/composers here. He tells a story about a fellow Berklee student (a saxophonist) who asked legendary saxophonist Sonny Stitt if he could sit in. Stitt shut him down with the question how many keys on a saxophone?" The novice couldn't answer--there are 23--but everyone knows a standard piano has 88 keys. Breakstone sees the piano and the guitar as extended family, with a comparable chordal role in the rhythm ...
Continue Reading...Joshua Breakstone: 2nd Avenue
by Maurizio Zerbo
Come rinverdire il mainstream contemporaneo? Secondo Joshua Breakstone, la risposta a tale quesito risiede nella varietà della disposizione timbrica. Gli arrangiamenti sono stati allestiti per arricchire la tavolozza armonica del canonico trio con chitarra-basso-batteria. Al felice esito del CD in esame contribuisce anche la dimensione melodica del violoncello, impiegato in ben cinque brani. È una piacevole ventata fresca, che all'inizio del secondo brano apporta anche una straniante aura eurocolta. Ne discendono gustosi impasti ritmici al servizio del ...
Continue Reading...Joshua Breakstone: With the Wind and the Rain
by Maurizio Zerbo
L'atipica formazione, chitarra/basso/batteria con violoncello, potrebbe far pensare a digressioni cameristiche. Si impone invece una gioiosa pratica jazzistica per via del quarto strumento utilizzato con le medesime funzioni di chitarra e contrabbasso. Nel solco di una tradizione che annovera diversi maestri (su tutti Oscar Pettiford), si impone superbamente il contrabbassista Mike Richmond qui impiegato solo al violoncello. Grazie ad energici raddoppi e contrappunti fra i solisti, i timbri gravi di basso e violoncello coprono tutto il fondale dello spazio sonoro, ...
Continue Reading...Joshua Breakstone: With the Wind and the Rain
by Edward Blanco
Prolific recording artist Joshua Breakstone delivers his twentieth album as leader tipping his hat to a major influence in his professional life, the late Japanese promoter and bassist Mitsuru Nishiyama, to whom With the Wind and the Rain, is dedicated. A guitarist of note with at least fifty tours of Japan under his belt, his experience performing in a format where the late bassist played the cello in an essentially expanded rhythm section, left Breakstone with a desire to document ...
Continue Reading...

