Home » Jazz Articles » Josh Evans
Jazz Articles about Josh Evans
Dave Schumacher & Cubeye: Smoke in the Sky
by Jack Bowers
Chicago-bred, New York-based baritone saxophonist Dave Schumacher leans heavily toward Latin melodies and rhythms on Smoke in the Sky, his recording of an able septet he has dubbed Cubeye. Contemporary jazz lies at the core of Schumacher's cross- cultural endeavor, one that his like-minded teammates take readily to heart while lending their insight and expertise to the largely warm and engaging enterprise. While Schumacher's burly baritone, reminiscent of Pepper Adams, Ronnie Cuber, Nick Brignola, Gary Smulyan, Cecil ...
Continue ReadingJoe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola
by John Kelman
It's one thing to have an established `place in the jazz pantheon, another to continue redefining that position, long after others might be content to rest on their laurels. Joe Chambers' work behind the drum kit with artists including Andrew Hill, Bobby Hutcherson, Wayne Shorter, Freddie Hubbard, Charles Mingus, and McCoy Tyner has already ensured a prominent place in jazz history. His output as a leader may be small, but he's delivered two outstanding Savant recordings in 2006's The Outlaw ...
Continue ReadingChristian McBride: Prime
by Cary Tenenbaum
Prime's opening track, “Head Bedlam," opens with a cacophony of horns playing in a style reminiscent of Sun Ra's Arkestra. This transforms into a quiet, cool riff with bass and drums leading the way, shifting the music into a more accessible groove before returning to the aptly titled bedlam in the track's closing seconds. It is a brave opening to New Jawn's second release because it is not the easiest way to attract the casual jazz listener. ...
Continue ReadingChristian McBride's New Jawn: Prime
by Mike Jurkovic
"Head Bedlam," crashes from the gate with a gale force which instantly gives away the plot of Prime. Put simply, the sophomore release from maverick bassist Christian McBride's New Jawn (Philadelphia slang for something not yet named or created) is a free-form steeplechase. Crying, screeching, testifying, New Jawn trumpeter Josh Evans and saxophonist & bass clarinetist Marcus Strickland blow wild and loud over drummer Nasheet Waits' tumbling manifesto and McBride's deep-rooted thrumbling, to summon forth the ancestors (Ornette Coleman for starters) to jam ...
Continue ReadingBrandon Goldberg: In Good Time
by Mike Jurkovic
Pianist Brandon Goldberg may not have the seasoned years behind him yet, (In Good Time finds him brewing with ideas most fifteen-year-olds never tackle) but it is no more a beloved veteran than the late Ralph Peterson who, via a wisely archived voice mail, urges the young man “What's up Brandon, gimme a shout man we hook up later this week!" The drummer and cat supreme then wishes him “Peace" and a split second later the barnstorming, deftly pugilistic “Authority" ...
Continue ReadingWarriors of the Wonderful Sound: Soundpath
by Mark Corroto
If we alter President John F. Kennedy's 1962 moon spaceflight speech just a bit, it easily fits the big band adaptation of Muhal Richard Abrams' magnum opus Soundpath, “We choose to perform this composition not because it is easy, but because it is hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept." Accepting the challenge was band leader Bobby Zankel and ...
Continue ReadingWarriors of the Wonderful Sound: Soundpath
by Giuseppe Segala
Nel 2011 il sassofonista di Filadelfia Bobby Zankel, leader della big band The Warriors of the Wonderful Sound e promotore di laboratori di musica contemporanea, propose a Muhal Richard Abrams un lavoro compositivo che avrebbe dovuto essere affidato alla band, con la direzione dello stesso pianista. Operazioni di questo tipo erano già state realizzate da Zankel negli anni precedenti con le musiche per big band di Julius Hemphill, dirette da Marty Ehrlich, poi con composizioni di Rudresh Mahanthappa e Steve ...
Continue Reading
